Mildred Boyd, author of several young adult non-fiction books, lived at Lake Chapala for almost 30 years, from 1983 to 2010. While living in Ajijic she contributed numerous non-fiction pieces to local newspapers and magazines. Boyd’s numerous contributions to the local arts scene included valuable long-term support for the Lake Chapala Society’s Children’s Art Program.
Mildred Bernice Worthy (Boyd) was born in Ranger, Texas on 20 April 1921 and died on 10 February 2010 in Cuenca, Ecuador.
After graduating from high school in Holdenville, Oklahoma, at age 16 Boyd joined Billy Rose’s roadshow – at Casa Mañana in Fort Worth – as a showgirl. She toured with Rose’s troupe across the country and was in his show when it opened in New York at the Diamond Horseshoe supper club on Broadway.
Boyd subsequently worked as a model (her photo adorned Coca Cola billboards nationwide) and did some acting before marrying Carney William Boyd (1920-1986) on 6 March 1940 in Denton, Texas. The couple established their home in Olney, Texas, where they raised four children.
During the second world war, Boyd designed aviation parts and undertook research into alternative materials for use in aircraft manufacturing. After the war, she earned her pilot’s license (before she could drive a car) and joined the Civil Air Patrol.
During the 1950s, Boyd worked for Convair Aviation (later General Dynamics) on the design of the B-58 bomber and studied engineering at Texas Christian University. She later patented a coaxial cable and helped design missile guidance systems for Sperry Rand, the Minute-Man missile at Hercules Power, “smart” torpedoes for Gould Systems and the first hand-held calculators for Hewlett-Packard.
Her love of writing surfaced while studying at Texas Christian University. In the 1960s, Boyd authored five non-fiction books for the young adult market, all published by Criterion Press in New York: History in harness: the story of horses (1965); Black flags and pieces of eight (1965); Rulers in petticoats (1966); The Silent Cities: Civilizations lost and found (1966) and Man, myth, and magic (1969). Boyd’s first visit to Mexico was apparently a research trip to Chichen Itza on the Yucatán Peninsula collecting material (which in the event was never used) for The Silent Cities.
After she retired, Boyd opted to escape northern winters and move to Mexico. Like many others before her, she spent a few days at the Posada Ajijic and quickly realized that Ajijic, with its growing English-speaking community and amenities, was an excellent fit. Boyd loved books and used her regular twice-yearly trips north of the border to amass a substantial private research library at her new home.
Boyd was very active in Lakeside’s community life. She volunteered at the Lake Chapala Society library and served two terms as president of the Ajijic Society of the Arts (ASA), where she regularly exhibited her own collages, watercolors and jewelry.
From the early 1990s, Boyd began to contribute articles to the local monthly El Ojo del Lago. She became a regular columnist: her “Magnificent Mexico” series occupied the magazine’s centerfold for more than a decade, covering topics from Aztec feather art and hummingbirds to Mexican weavers and mariachi music. Her writing won numerous local awards and she won several community awards for her volunteer work.
Another of her noteworthy roles in Ajijic was running the Lake Chapala Society’s Children’s Art Program for more than 20 years. This program, founded by Neill James in 1954, offers Saturday art classes to young people and also arranges art scholarships for further study.
At one point, Boyd was the only volunteer keeping the program going. When she came across a collection of works done by students who had benefited from the program decades earlier, she assembled a heritage exhibition that included early works by several children who had gone on to become successful professional artists.
Selected works from this heritage collection have been exhibited at the Lake Chapala Society, the Ajijic Cultural Center and the Centro Cultural González Gallo in Chapala, as well as at the Casa Museo Allende in San Miguel de Allende in 2006. Boyd was especially thrilled with the San Miguel show since its opening night coincided with her 85th birthday and she had always wanted the children’s art to reach a much wider audience than Lakeside.
With the help of Jesús López Vega (an alumni of the program) and others, Boyd ensured that the Children’s Art Program was revitalized following the death of its original benefactor, Neill James. Today, as many as 100 eager young artists attend the weekly Saturday classes.
Acknowledgment and photo credits
My thanks to Lizz Drummond and Judy Boyd for their help in compiling this profile of their mother and for generously allowing the use of photos from their personal collection.
- Neil McKinnon. “A Magnificent Life: Mildred Worthy Boyd (April 20, 1921 – February 10, 2010). El Ojo del Lago, March 2010, 40, 45.
- Guadalajara Reporter. 2010. Mildred Boyd (Obituary). Guadalajara Reporter, 19 February 2010.
Tony Burton’s books include “Lake Chapala: A Postcard History” (2022), “Foreign Footprints in Ajijic” (2022), “If Walls Could Talk: Chapala’s historic buildings and their former occupants” (2020), (available in translation as “Si Las Paredes Hablaran”), “Mexican Kaleidoscope” (2016), and “Lake Chapala Through the Ages” (2008).