Jul 142022
 

The renowned Hollywood portraitist Richard Kitchen lived in San Antonio Tlayacapan in the 1970s.

Born in England, the details of Kitchen’s early upbringing and education are currently unknown. But by the 1940s he was already well known as a portrait painter in California. For example, the Los Angeles Times reported in December 1943 that Mrs J Howard Hales had held a cocktail party for friends in her Beverly Hills apartment to show off Kitchen’s portrait of her.

Richard Kitchen at work. Photograph in possession of Moreen Chater.

Richard Kitchen at work. Photograph in possession of Moreen Chater; reproduced with permission.

Two years later, in October 1945, the paper remarked on the unveiling of Kitchen’s portrait of Peggy Wood: the portrait “was charming, and was admired by Ronald Colman and wife, Admiral Ike Johnson and wife, Charley Brackett and Lester Donahue, among others.”

Richard Kitchen. Portrait of a lady. Date unknown.

Richard Kitchen. Portrait of a lady. 1940s. Credit: Fine Estate, San Rafael, California.

Later that same month, the paper’s society columnist described how another Kitchen portrait had been less well received: “Mrs Smart was showing everyone her son Gillie’s new portrait, just completed by artist Richard Kitchen. After a number of “ohs” and “ahs” Nelson Eddy discovered that young Gillie was clutching an American Flag with only 11 stripes in it! Mr. Kitchen is being paged to DO something about this!”

Kitchen painted portraits of dozens of well-known theater personages, including Ilka Chase, Ronald Colman and Richard Barthelmess.

Movie makers in the 1940s also sought Kitchen’s expertise. For example, the makers of “The Uninvited,” released in 1944, commissioned Kitchen to paint “two huge paintings of Mary Meredith.” According to a blog post by film buff Remy Dean, “the two huge paintings of Mary Meredith deserve a mention. One takes up a wall of Stella’s bedroom at her grandfather’s house. The other is equally huge and dominates Miss Holloway’s office at The Mary Meredith Retreat—a kind of polite asylum for overwrought women. It’s all we see of this supposedly perfect woman, painted in the style of Thomas Gainsborough by the hugely talented Richard Kitchen. Although uncredited, the sitter for those portraits was Elizabeth Russell, who had bit parts in many of Val Lewton’s RKO horror films.”

A portrait by Kitchen also featured prominently in another film, the 20th Century Fox crime drama “The Dark Corner” (1946), starring Lucille Ball, Clifton Webb, William Bendix and Mark Stevens. Clifton Webb played a suave art connoisseur named Hardy Cathcart, and Kitchen was commissioned to paint “an ‘old master’ type oil portrait” of Hardy’s wife, Mari, played by Cathy Downs.

A contemporary account explained why this was one of the most challenging assignments the artist had ever had: “The 17th century-type portrait had to be true to the period, yet be a perfect likeness of dimpled brunette Cathy. The picture explains the possessive love of art connoisseur Webb who falls in love with his young bride because she is the living reincarnation of the portrait.”

In 1947, Kitchen explained in The Honolulu Advertiser how he thought the second world war had changed “the American face.” Whereas the old face, “like the British face… was showing the droopy-mustached, mild-eyed tremble-chinned symptoms of weakness”, the post-war face had “deeper-set eyes, stronger constructions of the jaw, larger noses and heavier muscles.” Kitchen backed up his assertion that “One war can change the faces of people more than 100 years of evolution,” by referring to movie star Tyrone Power: “Even though he was 32 when he put on a marine uniform, the war molded his face into a stronger cast, even to the bone structure. And as a result he is handsomer than ever.”

Precisely why, when and how Kitchen came to live with Peter Lilley (one half of writing duo Dane Chandos) in San Antonio Tlayacapan remains unclear but he was certainly resident in the village by 1971. In October 1971 he held a “Magnificent exhibition of paintings,” in two rooms of the Palacio Federal. The show, which attracted a great number of visitors, included about 100 oil paintings, mainly portraits of persons well-known in Guadalajara society, and a reviewer praised Kitchen’s technique and choice of subjects.

Kitchen held a solo show in Guadalajara’s Centro de Arte Moderno (Av. Mariano Otero 375) in May 1976 of works described as “magic realism.” If anyone has knowledge of, or a catalog from, this exhibit, please get in touch!

A few months later, a selection of Kitchen’s portraits, in oil, pastel and charcoal, was included in a group show titled “Panorama del Arte en Jalisco”, held in three rooms of the DIF building in the small village of Teuchitlán, the closest village to the Guachimontones archaeological site. Other artists also exhibiting on that occasion, and with close links to Lake Chapala, included Sabina Foust, Gustel Foust and Ellis Credle Townsend.

Portraits by Kitchen rarely come up at auction, presumably because they are still treasured by the subjects or their families. One exception, described only as “Portrait of Lady” and dating from the 1940s, was auctioned by Fine Estate in San Rafael, California, in 2018.

Kitchen completed portraits of many residents of San Antonio Tlayacapan, and local artist and cultural promoter María Victoria Corona Vega, kindly asked local villagers, on my behalf, what they could recall about Richard Kitchen. Their most dramatic collective memory concerned how the strong feelings between two of Peter Lilley’s employees had led to a terrible tragedy, in which the two workers, who “could no longer bear working together for Don Pedro” killed each other in a personal confrontation. At Lilley’s request, Richard Kitchen subsequently painted a mural of the two men together on the living room wall.

Please get in touch if you have a portrait by Richard Kitchen, or can supply more details about his life.

Note

  • My gratitude to Binky Chater for sharing with me her memories and the photograph of Richard Kitchen, and to María Victoria Corona Vega for her research assistance.
Lake Chapala Artists & Authors is reader-supported. Purchases made via links on our site may, at no cost to you, earn us an affiliate commission. Learn more.
My history of Ajijic – Foreign Footprints in Ajijic: Decades of Change in a Mexican Village – has several chapters about the individuals, artists and patrons who helped cement Ajijic’s reputation as a center for artistic creativity and excellence.

Sources

  • Remy Dean. 2018. “Film Review THE UNINVITED (1944).” Blog post dated 15th October 2018.
  • El Informador: 24 Oct 1971, 4-A; 25 Oct 1971, 11.
  • Guadalajara Reporter: 15 May 1976, 11; 23 Sep 1978, 6.
  • Los Angeles Times: 1 Dec 1943, 23; 2 Oct 1945, 11; 23 Oct 1945, 17.
  • The Honolulu Advertiser: 2 Feb 1947, 44.
  • Shamokin News-Dispatch (Shamokin, Pennsylvania): 26 Jun 1946, 9.

Comments, corrections and additional material are welcome, whether via the comments feature or email.

Jul 302020
 

Portrait artist Betty Warren, later known as Betty Warren Herzog, was born in New York City on 6 January 1920. Her brightly colored portraits were in such demand that she became one of the highest paid female portraitists of the 20th century. In 1940, at age 20, she became the youngest woman in US History to hold a solo exhibit at a major US Museum (Berkshire Museum).

Betty Warren. Sketch of Seth Burgess.

Betty Warren. Sketch of Seth Burgess. Reproduced by kind permission of Seth Burgess.

Betty Warren first visited Lake Chapala in February 1974, when she and her husband (Jacob Herzog) visited a friend—Everett J. Parrys of Albany—who was staying at the Villa Montecarlo in Chapala. Warren arranged to take the Helen Kirtland home in Ajijic for the following month to use as a studio. Two years later, Warren returned to Chapala, where she held a solo show of oils and drawings at the Villa Montecarlo in March. That show was sponsored by the Galeria del Lago (run by Helen Kirtland’s daughter, Katie Goodridge Ingram).

The following year, her third winter at the lake, Warren held another solo show of her works at the Galeria del Lago. That show ran from 26 February to 11 March.

In 1980, Warren was one of 11 painters whose work was shown in a group show in Guadalajara at the ex-Convento del Carmen. On that occasion, the other artists, almost all of whom had close ties to Lake Chapala, were Paul Fontaine, Daphne Aluta, Georg Rauch, Eleanor Smart, Richard Lapa, Stefan Lökös, Evelyne Boren, Digur Weber, Gustel Foust and Taffy Branham.

From the early 1980s, Warren and her husband spent her winters in Ajijic, where she maintained an art studio.

Betty Warren in Ajijic

Betty Warren in Ajijic

Betty Warren was the daughter of illustrator Jack A. Warren, cartoonist of Pecos Bill. She studied at the Art Students League in New York, the National Academy of Design, the Cape School of Art (summers, 1937-42) with Henry Hensche, Farnsworth School of Art, Sarasota, Florida, and the Reineke School in New Orleans. Warren was awarded an Honorary Doctorate of Fine Arts in 1991 by Hartwick College, Oneonta, New York.

Betty Warren taught at the Albany Institute of History and Art for seventeen years and co- founded The Palm Tree School of Art, in Sarasota, Florida, and The Malden Bridge School of Art, in Malden Bridge, New York.

She had more than 35 solo shows during her artistic career, and exhibited at Artists of the Mohawk-Hudson Region, Allied Artists of America, American Water-Color Society, National Arts Club, Knickerbocker Artists, New York, and the Grand Central Art Galleries. Her last formal portrait was of Governor Hugh Carey for the State of New York in 1991. She died in Albany on 8 November 1993.

She one of the six wives of actor Stuart Lancaster (1920-2000). She had two sons: potter, sculptor and author Michael Dean Lancaster and landscape artist John Warren Lancaster. Following her divorce from Stuart Lancaster, Warren later married Jacob Herzog, a prominent attorney in upstate New York.

Betty Warren was a member of Grand Central Art Galleries, National Arts Club, American Artists Professional League,National League of American Pen Women, Pen & Brush.

Warren’s portraits can be found in the collections of the The University of Wisconsin; General Electric; University of North Carolina at Chapel Hill; Albany Institute of History and Art, New York; the Malden Bridge School of Art; Hartwick College, New York; the New York State Supreme Court in Albany; and the Grand Lodge of New York.

Note: This is an updated version of a post first published Oct 30, 2014

Sources

  • Guadalajara Reporter: 23 Feb 1974; 27 Mar 1976, 12 Feb 1977, 17.
  • El Informador: 28 Mar 1976; 26 Jan 1980.

Comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios are welcomed. Please use the comments feature at the bottom of individual posts, or email us.

May 212020
 

Eleanor Margarite Glover, who became an acclaimed portrait painter, and lived in Ajijic 1961-1963, was born on 1 October 1919 in Big Horn, Wyoming, to a Methodist minister, shortly before the family moved to Compton, Los Angeles, California. Eleanor was the second of five children in the family.

Her father nicknamed her “Tink” at an early age because she was always tinkering with things. Her son Loy recalls that his mother, “had an uncontrollable compulsion to touch things she found interesting. She and I were actually asked to leave the Norton Simon Museum in Pasadena once because she couldn’t keep her hands off the Rodin.”

Tink Strother in her Ajijic studio, ca 1962

Tink Strother in her Ajijic studio, ca 1962

After graduating from Compton Junior College, Strother spent two years studying commercial art at Frank Wiggins Trade School.

She married Vane Strother in June 1942, shortly before he was posted overseas. In his absence, Strother worked as a draftsman for Douglas Aircraft. She began to add cheery, fun illustrations to the envelopes she used to mail letters to her husband. Her envelope art was first sketched in pencil, then carefully covered with ink or watercolor.

Wartime envelope decorated by Tink Strother

Wartime envelope decorated by Tink Strother

The New Yorker eventually ran a story about similar envelopes, coincidentally at the same time as a selection of Strother’s own wartime envelopes went on display in a highly successful exhibit at the Santa Paula Society of the Arts. When asked why she had started decorating envelopes, Strother replied, “Just to entertain the guys overseas fighting in the war; I put pretty girls on most of them, some movie stars. We were young and had just gotten married”

At the end of the war, Strother, a fiery, talkative red-head with a larger than life personality, started working as a commercial artist. She took the advice of a gallery owner and enrolled in portraiture classes at Orange Coast College.

Strother first visited Ajijic in 1960, by which time her marriage was in trouble. The following June she left her husband in California and settled with her two children in the lakeside village, renting what her son remembers as, “an incredible place with a guest house,  gardens and fountains, the kitchen was a separate building with a cook, a maid and a gardener for $110 a month.” The children stayed only a year, but Strother remained in Ajijic for the next two years, returning to California in 1964.

In 1962, an exhibition of Tink Strother’s paintings was held at the Alfredo Santos gallery in Guadalajara. (Other artists showing in that exhibition included Carlos López Ruíz, Ernesto Butterlin, Filipino artist Romeo Tabuena, American artist Peter Matosian,  French artist Diane Lane Root, and Mexican artists Jorge González Camarena and A. Galvez Suarez.)

In Ajijic, Tink worked as a portrait artist and taught art. Her son remembers that she,

always had a gaggle of ladies around her (and some serious art students) with their easels trudging around the fields doing landscapes in their sun hats, or in the studio learning portraiture,

While in Ajijic, she met a Colombian artist Carlos López Ruíz (1912-1972). Their relationship continued and he accompanied her to California, where they opened a joint studio and gallery, first in Pico Rivera and then in Whittier. Strother also taught adult education art courses. Her son Loy frequently watched her teach, and describes her as a “a virtuoso teacher of painting”. He recalls her particular “party piece”:

“Tink did many demonstrations of portrait painting to classes and groups”, in which “she would take the same subject she had just done a portrait of, and draw him/her as a baby, and then age the portrait in stages to the age of about 90. People would gasp and say my God that is exactly what she looked like at that age!… And Tink talking nonstop the entire time explaining every move.”

Tink Strother was also an enthusiastic fund-raiser and offered her services as a sketch artist and caricaturist to hundreds of charity events. She would draw rapid charcoal sketches at $15 a head, sign them “Tink”, and donate all the proceeds to the charity. Loy Strother watched in awe:

“She attracted a crowd very time. It was like watching a magic act as Tink produced perfect likenesses with a few masterful strokes holding nothing in her hand but a chunk of charcoal. It would appear as if she was just waving her hand at the easel and an ethereal likeness of the subject would seem to emerge from the blank white paper.”

strother-tinkWhile portrait painting was her great love, Strother also did copper enamel jewelry, sculpture, serigraphs and graphic designs.

When her relationship with Carlos broke down (in about 1968), Strother moved to Europe where she continued to enjoy moderate success, completing a prolific number of fine portraits, living mostly in Rome, Italy.

In 1976 (several years after Carlos’ death) Strother returned to California and became deeply involved in the Santa Paula Society of the Arts and an art columnist for the Santa Paula Times. Strother lived the last few years of her life with her daughter in Barcelona, Spain, and died there on 1 January 2007.

Peggy Kelly, who wrote Strother’s obituary for the Santa Paula News praised her portraits, saying that they reflected “not only the physical likeness of the subject but also their personality and soul.”

Note This post was first published 24 December 2014.

Comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios are welcome. Please use the comments feature at the bottom of individual posts, or email us.

Nov 132017
 

Famous American portraitist Everett Kinstler and his family spent the summer of 1971 in Ajijic on Lake Chapala.

While staying in the village, he and his family became close friends of Kulla Hogan (now Kulla Ostberg), wife of journalist Don Hogan. Kinstler painted portraits of their two children who became good friends with the Kinstler children. The timing of Kinstler’s visit to Ajijic is confirmed by Molly Leland (formerly Molly Heneghan) who first visited Ajijic with her architect husband George Heneghan in December 1970 and who remembers the Kinstlers arriving the following summer.

Kinstler’s life is well documented, so this short profile includes links to further reading for those interested in learning all about the amazing career of this talented artist.

Book cover by Everett Raymong Kinstler

Book cover by Everett Raymong Kinstler

Everett Raymond Kinstler was born in New York City on 5 August 1926. He studied briefly at the city’s High School of Music and Art before transferring to the High School of Industrial Art, where he acquired the skills to make his living in the field of commercial art. While still a teenager, he started working for a comic book publisher, Cinema Comics, but soon became a freelance illustrator for comics and pulp magazines featuring characters such as Doc Savage, The Shadow, Hawkman, Kit Carson and Zorro. He also designed book covers and undertook commissions for magazine illustrations.

In 1945, Kinstler returned to school and studied at the Art Students League of New York under American illustrator and impressionist painter Frank Vincent DuMond (1865–1961) whose mantra was “I won’t try to teach you to paint, but to see and observe.” Also in 1945, Kinstler was drafted into the U.S. Army to work on creating a comic strip for an Army newspaper.

Throughout the 1940s and 1950s Kinstler worked mainly as a pulp and comic book artist before transitioning to become one of America’s top portraitists, a calling he has pursued diligently ever since. He held his first major exhibition of portraits and landscapes at Grand Central Art Galleries in New York City in 1959.

Everett Raymong Kinstler. 2014. Portrait of Cliint Eastwood.

Everett Raymong Kinstler. 2014. Portrait of Cliint Eastwood.

Kinstler has painted portraits of over 1200 leading figures in business, entertainment and government, including eight U.S. Presidents: Richard Nixon, Gerald Ford, Jimmy Carter, Ronald Reagan, George H.W. Bush, Bill Clinton, George W. Bush and Donald Trump. Other portrait subjects include Paul Newman, Clint Eastwood, Gregory Peck, John Wayne, Gene Hackman, Katharine Hepburn, Carol Burnett, Peter O’Toole, James Cagney, Arthur Miller, Ayn Rand, Tennessee Williams, Tom Wolfe; and Theodor Seuss Geisel (Dr. Seuss).

This short video about Kinstler was produced by the Norman Rockwell Museum for its major exhibition of his work in 2012:

Kinstler was elected to the National Academy of Design in 1970 and, in 1999, the Copley Medal by the Smithsonian National Portrait Gallery in Washington, D.C., which has more than fifty Kinstler portraits in its collection. He also won a Comic-Con International’s Inkpot Award in 2006.

There are several published works about Kinstler including Jim Vadeboncoeur, Jr.’s Everett Raymond Kinstler – The Artist’s Journey Through Popular Culture (2005).

Kinstler taught at the Art Students League of New York from 1969 to 1974 and is the author of several books on art, including Painting Faces, Figures and Landscapes (1981) and Painting Portraits Hardcover (1987).

In addition to the National Portrait Gallery in Washington, D.C., Kinstler’s work can be admired in the Metropolitan Museum of Art, Butler Institute of American Art, Brooklyn Museum, the Butler Institute of American Art in Youngstown, Ohio; and the University of Delaware, Newark.

Want to read more?

Sombrero Books welcomes comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios. Please email us or use the comments feature at the bottom of individual posts.

Mar 312016
 

Portraitist De Nyse Wortman Turner Pinkerton (aka De Nyse Turner) was born in Martha’s Vineyard, Massachusetts, on 3 December 1917 and died in Naples, Florida, on 3 April 2010, at the age of 92.

De Nyse Turner. Still life (1951). Image courtesy of Ricardo Santana.

De Nyse Turner. Still life (1951). Image courtesy of Ricardo Santana.

Pinkerton resided and worked at Lake Chapala, for at least part of each year, for more than thirty years, from 1970 to 2004.

She grew up in Utica, New York, and studied at the Utica Country Day School, Smith and Hollins Colleges, and The Art Student’s League in New York City.

Her maiden name was Wortman, and she had two marriages, the first to Lee Turner and the second to Edward C. Pinkerton.

She was an active supporter of several environmental organizations including the Friends of the Animals, the Nature Conservancy Marine Program, the World Wildlife Foundation, the Sierra Club and the Environmental Defense Foundation.

Pinkerton was a prolific painter and during her lifetime completed more than 7000 portraits in pastel and oil.

Her work has been exhibited at The Peale Museum; The Baltimore Museum of Art, The Concoran Gallery, and The National Galleries in Washington, Philadelphia and New York.

De Nyse Turner. Portrait (1951). Image courtesy of Ricardo Santana.

De Nyse Turner. Portrait (1951). Image courtesy of Ricardo Santana.

During her time in Chapala, she was one of a group of artists showing in an exhibition in May 1985 at Club Campestre La Hacienda (km 30 on the Guadalajara-Chapala highway) entitled “Pintores de la Ribera” (Painters of Lakeside). This group show also included works by Laura Goeglein, Carla W. Manger, Jo Kreig, Donald Demerest, B.R. Kline, Hubert Harmon, Daphne Aluta, Eugenia Bolduc, Emily Meeker, Eleanor Smart, Jean Caragonne, Tiu Pessa, Sydney Moehlman and Xavier Pérez.

The striking portrait of Neill James that hangs in the Lake Chapala Society in Ajijic is by Pinkerton.

Sombrero Books welcomes comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios. Please email us or use the comments feature at the bottom of individual posts.

Mar 262015
 

Synnove (Shaffer) Pettersen (born in Norway in 1944) is a much sought-after portrait painter who lived in the Lake Chapala area from early 1973 to August 1976.

In 1956, while Pettersen was still a young girl, her family moved to Canada, to Victoria, B.C.. Four years later, they moved on to Los Angeles, though Pettersen remained in Victoria, where she was crowned Miss Victoria in 1962, and graduated from high school in 1963. She has fond memories of her high school art teacher, Mrs Francis Cameron, saying, “She was the best. I’ve since talked with fellow art students and we all agree what a treasure she was and how we really had a college type art program.”

Pettersen then won a scholarship to the Art Center College of Design in Los Angeles. She remains unconvinced by the education she received there, because it stressed the abstract movements, rather than the realism that she has made her specialty.

In 1973, her then husband took early retirement and  decided to move south of the border. They had heard about Ajijic, “the largest retirement community outside the U.S.”, the year before while visiting Puerto Angel on the coast of Oaxaca. At Lake Chapala, the couple lived for a short time in Jocotepec before moving to Ajijic when they met, by chance, in the Ajijic post office, a couple about to relinquish their lease on a home in the village.

Pettersen’s Facebook page includes three videos of her work in Ajijic:

Her artistic talents, and the promise of her later success, are clearly evident in the charcoal drawings and paintings she completed during her three years in Mexico (see short videos).

In Ajijic, Pettersen was an integral member of the Clique Ajijic group of artists, along with Tom Faloon, Hubert Harmon, Todd (“Rocky”) Karns, Gail Michaels, John PetersonAdolfo Riestra and Sidney Schwartzman.

The shows of Clique Ajijic included:

  • Chapala: Villa Monte Carlo, opened 16 March 1975
  • Ajijic: Galería del Lago, 15 August 1975
  • Ajijic: Hotel Camino Real, 13-16 September 1975
  • Guadalajara: Galería OM, 24 October 1975
  • Manzanillo: Club Santiago, 29 October 1975
  • Cuernavaca: Akari Gallery, 7 February 1976
  • Guadalajara: American Society of Jalisco, 21 February 1976

Pettersen says that the Clique Ajijic group, “never painted together as a group, just had shows.” She added that one additional benefit of the drawing sessions she had at her house, where she able to persuade neighboring ladies to pose for her, was that they helped her learn Spanish.

In April 1976, Synnove (Shaffer) had a solo exhibit of works done in Mexico – oils, pastels and drawings – in the Villa Montecarlo in Chapala. The show opened on 25 April.

Synnove Pettersen ca 1975 (Photo by John Frost)

Synnove Pettersen with one of her paintings, ca 1975 (Photo by John Frost)

In this early stage of her artistic career, Pettersen was greatly encouraged by fellow Clique Ajijic member Sidney (“Sid”) Schwartzman, and by artist-photographer John Frost, who was not a member of the Clique Ajijic but took their publicity photos. In an email, she wrote that, “John Frost was a big inspiration. So willing to share his knowledge. When I returned to L.A., I did several silkscreen (serigraph) pieces. He had refreshed my interest with his enthusiasm for a photo/sun process but I was not successful with that technique, so returned to the touche and glue method.”

Synnove Pettersen is now based in Shelton, Washington state, where she continues to undertake portrait commissions. Her Facebook page, with numerous examples of her powerful, evocative portraits, is Synnove Fine Art. Prints and originals can be purchased direct from the artist’s website.

Acknowledgment

Sincere thanks to Synnove Pettersen for her willingness to share memories, knowledge and mementos from her time in Mexico.

Sombrero Books welcomes comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios. Please use the comments feature at the bottom of individual posts, or email us.

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