Eleanor Smart (1909-1993) was an American artist who lived with her husband Douglas in Chula Vista, Lake Chapala, from the late 1960s until shortly before her death. The couple had visited the Lake Chapala area several times before purchasing the “Radke house” (Calle del Redondo #122, in Chula Vista) in 1968. She worked in a variety of media (oil, acrylic, watercolor and collage and was a regular exhibitor during her time in Mexico.
An example of Smart’s work, “Women with Green Hair” was used as the cover illustration for the locally-produced A Cookbook with Color Reproductions by Artists from the Galería (Guadalajara, Mexico: Boutique d’Artes Gráficas, 1972).
Smart’s maiden name was Eleanor Frances Storm. She was born on 6 June 1909 in Michigan, either in Washtenaw County (listed as her place of birth in the 1910 U.S. Census) or Grosse Pointe (quoted in later articles), where she lived most of her life. She died on 9 February 1993 in St. Clair Shores, Macomb, Michigan.
Smart graduated from Northern High School in Detroit, Michigan, in 1927 and entered Sullin’s College, an all-girls Methodist junior college in Bristol, Virginia.
In 1929, the 20-year-old Eleanor Storm married Douglas Levering Smart, a 26-year-old electrical engineer with the Ford Motor Company. The couple married on 25 June 1929 at North Woodward Congregational church in Wayne County, Michigan, and subsequently had two sons: Addison (born 1931) and Richard “Dick” Levering (1932-1994).
Though the precise timing is inclear, Smart trained at the Detroit Society of Arts and Crafts (under Sarkis Sarkisian, Walter Midener and Guy Palazzola) and at the University of Michigan, studying under Robert Brackman and Dong Kingman. She also studied, at one time or another, with Emil Weddige, Gerome Kamrowski, Hughie Lee-Smith and Kraig Kiedrowski, as well as with José Gutiérrez of Mexico City in 1951. Smart’s travels included trips to Japan, the Middle East, the Mediterranean, France, Turkey and Greece.
Smart was a member of the Michigan Academy of Science, Arts and Letters, the Detroit Society of Women Painters and Sculptors and the Grosse Pointe Artists Association. Her works can be found in many private and corporate collections including that of Monsanto Chemical Company and Detroit Bank and Trust. Smart was a regular exhibitor in the Michigan Artists Annual, the Michigan State Fair, and numerous other regional exhibitions.
These exhibitions included the annual meeting of the Grosse Pointe Artists’ Association in 1949 and again in 1957. Smart’s work was featured in numerous group shows, including the Galleries Raymond Duncan, in Paris, France (1959), the Detroit Society of Women Painters and Sculptors in Grosse Pointe (1962), Les Galleries de Kenee, Grosse Pointe (1963), the Grosse Pointe Garden Center and Library (1966) and the Grosse Pointe Artists’ Association (1967).
By 1967, Smart had held eight one-woman shows in all, including one at the Ligoa Duncan Galleries in New York in 1959.
Smart continued painting after moving to Mexico and was one of the numerous artists invited to exhibit at the “Fiesta of Art” held in May 1971 at the home of Mr and Mrs E. D. Windham, alongside Daphne Aluta; Mario Aluta; Beth Avary; Charles Blodgett; Antonio Cárdenas; Alan Davoll; Alice de Boton; Robert de Boton; Tom Faloon; John Frost; Dorothy Goldner; Burt Hawley; Peter Huf; Eunice (Hunt) Huf; Lona Isoard; Michael Heinichen; John Maybra Kilpatrick; Gail Michael; Bert Miller; Robert Neathery; John K. Peterson; Stuart Phillips; Hudson Rose; Mary Rose; Jesús Santana; Walt Shou; Frances Showalter; Sloane; Robert Snodgrass; and Agustín Velarde.
Smart’s work was shown in a group show at the ex-Convento del Carmen in Guadalajara in January 1980, which also featured works by Paul Fontaine; Daphne Aluta; Georg Rauch; Betty Warren; Richard Lapa; Stefan Lokos; Evelyne Boren; Digur Weber; Gustel Foust; Taffy Branham.
In 1988, one of Smart’s paintings was chosen for the “Help Save Lake Chapala” exhibit which was shown in Mexico City. Other artists in that show included Daphne Aluta, Nancy Bollembach, Luisa Julian, Conrado Contreras, Rick Ledwon, Georg Rauch, Enrique Velázquez and Laura Goeglin.
- Anon. 1986. Portrait of the Artist: Eleanor Smart, in El Ojo del Lago, Oct 1986, Vol III, No 1.
- Detroit Free Press, 9 April 1949, p 11; 5 May 1957, p 38
- Guadalajara Reporter, 14 December 1968
- Informador, 26 January 1980
Sombrero Books welcomes comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios. Please email us or use the comments feature at the bottom of individual posts.
Tony Burton’s books include “Lake Chapala: A Postcard History” (2022), “Foreign Footprints in Ajijic” (2022), “If Walls Could Talk: Chapala’s historic buildings and their former occupants” (2020), (available in translation as “Si Las Paredes Hablaran”), “Mexican Kaleidoscope” (2016), and “Lake Chapala Through the Ages” (2008).
Such a great job you are doing Tony. I had totally forgotten the shows in which both she and Georg participated in 1980 and 88. She was a lovely as well as very talented person, and when she died she left her easel, paints and brushes to Georg, as did Bob Snodgrass..
I’m going to email you to ask more about Bob Snodgrass. I hadn’t realized that you and Georg knew him that well. Email coming shortly…
I have one of her paintings and am curious as to the value. Can someone help me with this?
Four years and no comment… I still have the painting. If there is a catalog of her works, I’m happy to add photographs to it.
Hi Melissa, I’d certainly like to see some photos of your painting. Please send via this email. I’m not qualified to offer any valuation, but because her works never come up at auction (so far as I am aware) they are, unfortunately, unlikely to be worth very much. TB.
Thank you, Admin, I’ll get some pictures together for you.