Apr 022015

Georg Rauch was born in Salzburg, Austria, on 14 February 1924, and lived thirty years in Jocotepec, on the mountainside overlooking Lake Chapala, prior to his death on 3 November 2006.

Rauch had an adventurous early life. His memoirs (translated from their original German by his wife, Phyllis), described his wartime experiences. They were first published, as The Jew with the Iron Cross: A Record of Survival in WWII Russia, only a few months before his death. The self-published book was reissued in February 2015 by mainstream publisher Farrar Straus Giroux, with the new title of Unlikely Warrior: A Jewish Soldier in Hitler’s Army. The memoirs are based on 80 letters sent home from the Russian trenches telling how Rauch, despite being officially classified as one-quarter Jewish, was drafted into Hitler’s army at age 19 in 1943 and sent to the Russian front. He was captured and spent 18 months in a Russian POW camp, where he contracted bone tuberculosis. After the war, Rauch spent two years recovering in Stolzalpe, an alpine sanatorium.

Rauch studied architecture for two years and life drawing with Professor Bőckl at the Akademie der bildenden Kűnste in Vienna, and was encouraged by his mother to pursue a career as an artist. He was awarded travel scholarships by the Austrian government. He exhibited and became a member of the prestigious artists’ association, Wiener Secession, and soon was showing his paintings in Vienna, Paris, London, Germany and Scandinavia.


In 1966 Rauch married his soul mate Phyllis Porter in Ohio. The couple, who had met in Vienna, lived briefly in New York before returning to Vienna in the winter of 1966/67, because Georg had been commissioned to produce the main sculpture for the Austrian Pavilion at the upcoming Montreal World Expo (1967).

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In summer 1967, the Rauchs, together with fellow artists Fritz Riedl and his girlfriend (later wife) Eva, spent two months driving through Mexico, as far south as Tehuantepec. On their return trip north, the group stopped off in Guadalajara to visit the Austrian consul. The consul, an architect, purchased several watercolors completed during the trip, as well as 4 or 5 oil paintings that Rauch had with him. In the fall of 1967, the Rauchs returned to Guadalajara when the consul commissioned a sculpture for a shopping center being built in the city. The Rauchs remained in Guadalajara until 1970.

rauch-georg-red trees-s

George Rauch. Red Trees. 2002.

In 1968, Rauch was invited to do a series of posters for the Guadalajara Committee of the 1968 Mexico City Olympics. (Mexico City had commissioned its own Olympics posters, but Rauch was responsible for all the posters produced in Guadalajara). One of these Olympics posters is mentioned in Al Young’s novel Who is Angelina?, during a description of a living room in Ajijic. Another Rauch poster (not of the Olympics) would later feature in the movie 10 (1979) starring Bo Derek and Dudley Moore, shot on location at the Las Hadas resort in Manzanillo. And yet another Rauch poster was once shown in an episode of the TV series Ironside.

It was during their stay in Guadalajara, that Rauch first met artist and photographer John Frost, who had a studio in Jocotepec and would later introduce Rauch to some of the finer points of silk-screening.

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Georg Rauch. The Dream House. 2003.

The Rauchs spent most of the next six years (1970-1976) in Laguna Beach, California, where Phyllis headed the San Clemente Public Library and Georg participated in the city’s famous Pageant of the Masters. Georg made several yearly visits to Puerto Vallarta, where his work was regularly shown in Galeria Lepe, the resort town’s only art gallery at the time. (This is where Rauch drew portraits of both Elizabeth Taylor and Richard Burton, as well as Liz’s son Christopher Wilding.)

In 1974, the Rauchs purchased property in Jocotepec and began to build their future home and studio. They moved into their (as-yet unfinished) home, designed by Georg, in October 1976. Rauch had finally found a place he could call home, and he would remain here for thirty years, painting a succession of expressionist oils, watercolors and silk screens, as well as building several extraordinary kinetic sculptures. Rauch was a prolific artist (completing more than 2000 oils in his lifetime), driven to paint, and to paint “only that which he needed and wanted to express.”

In December 1976, Rauch had work in a group show organized by Katie Goodridge Ingram for the Jalisco Department of Bellas Artes and Tourism, held at Plaza de la Hermandad (IMPI building) in Puerto Vallarta. The show ran from 4-21 December and also included works by Jean Caragonne; Conrado Contreras; Daniel de Simone; Gustel Foust; John Frost; Richard Frush; Hubert Harmon; Rocky Karns; Jim Marthai; Gail Michel; Bob Neathery; David Olaf; John K. Peterson; and Sylvia Salmi.

His clown-faced self-portraits bored deep into his soul. The influence of Lake Chapala was clear in many of his haunting and sensuous Mexican landscapes. On the other hand, his watercolors revealed his particularly keen sense of observation and his delicate touch. (Of course, I’m biased because I chose a Georg Rauch watercolor of Ajijic as the cover art for my Western Mexico, A Traveler’s Treasury, first published by Editorial Agata in 1993).

Georg Rauch was a consummate professional artist, one who was sufficiently successful throughout his career to live by his art alone. In conversation, he would sometimes interject a truly outrageous statement, but his wry sense of humor masked a considerable political perspicuity and an intense desire to interrogate the world around him.

In the 1980s, Georg and Phyllis Rauch expanded their home and opened the Los Dos Bed & Breakfast Villas, where Phyllis continued to welcome visitors, especially those with an interest in her husband’s art.

Georg Rauch’s work can be found in the collections of many major international museums. His numerous exhibitions include:

  • 1952 Konzerthaus in Vienna (first solo exhibition); and the Kűnstlerclub, Vienna.
  • 1953 to 1968 : London; París; Stuttgart; Vienna; Dusseldorf.
  • 1968 New York (Gallery York)
  • 1968, 1970 Galería Lepe, Puerto Vallarta
  • 1973 Toronto; Los Angeles
  • 1975 Guadalajara: Galería Pere Tanguy
  • 1977 Ajijic (Galeria del Lago)
  • 1979 Mexico D.F. (Alianza Francesa)
  • 1980, 1989 Puerto Vallarta (Galeria Uno)
  • 1982 Tucson, Arizona (Davis Gallery); Acapulco Convention Center
  • 1983 Guanajuato (University of Guanajuato)
  • 1984 Mexico City (Galeria Ultra)
  • 1986 Aarau, Switzerland
  • 1987 San Miguel de Allende
  • 1988 Guadalajara (major retrospective at Instituto Cultural Cabañas)
  • 1990 Munich (2)
  • 2000 Guadalajara (Ex-Convento del Carmen)
  • ???? Guadalajara (Galería Vertice) year-long traveling show, called Austrian Artists in Mexico, including works by Rauch, Fritz Riedl, Ginny Riedl and others.
  • 2007 Chapala (Centro Cultural Gonzalez Gallo)
  • 2014-2015 Guadalajara (Palacio del Gobierno del Estado); Chapala (Centro Cultural Gonzalez Gallo)

For more images of works by Georg Rauch, see Georg Rauch: Artist in Mexico gallery.

Sombrero Books welcomes comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios. Please use the comments feature at the bottom of individual posts, or email us.

  20 Responses to “Georg Rauch (1924-2006), artist extraordinaire”

  1. I have read the book unlikely warrior and loved it! I would rate it 5 out of 5! It is so amazing. I am trying to figure out how he died in 2006 can you please tell me?

    • Georg’s wife Phyllis (who will be featured as an artist in her own right before long in our on-going series of bios) writes that,

      “Georg continued to creative his expressionistic oils through 2005, although his sight and mobility were greatly reduced by that time (age 81). In Sept of 2006 he was hospitalized for one month and after a month at home in bed died on Nov 2, 2006. I, his wife Phyllis, after the years of grief, have come to believe that his death was more than anything a conscious decision. When he could do longer stand or see to do what he most loved to do, he decided it was time to leave. After reading his book, you probably already have seen what he was capable of doing with his amazing mind, even at a very young age.”

  2. A friend left me a framed portrait done by Georg Rauch. It is of a nude woman. I believe it was purchased by her father back in the 60s in Guadalajara. Can you give me an idea of its value.
    Please and thanks.

    • We would be interested to see a photo/scan of the portrait, but do not offer any appraisal or valuation service. Images can be sent as attachment to an email

    • I too have a nude have not seen another

  3. I have a painting from 1983 titled “Mexican Tree.” I also have a color catalog printed prior to September 1990 titled “Georg Rauch Paintings,” with hundreds of images of his paintings, including clowns, nudes, “Mother Earth”, chairs, landscapes, and buildings. A picture could possible be used to identify the paintings.

    • Henry, Thanks for your comments. The omission of titles for the two paintings was an oversight on my part for which I apologize. I have now added the correct titles: The Dream House (2002) and Red Trees (2003). Note, though, that the same title was sometimes used for more than one painting. Georg was not very interested in titles, even though museums and collectors naturally are. On at least one occasion, immediately prior to a show, he invited a bunch of friends round to his studio to sit around and brainstorm titles in exchange for a beer or two…. Enjoy your painting! Regards, TB.

  4. We visited Phyllis, today Tony. She is doing well. Bought a couple of pieces and i my go back and assist her with cataloging and pricing. She is a wonderful in her own right…very nice.

    • I am thrilled that you enjoyed getting to know Phyllis and seeing Georg’s artwork. Your energy will help ensure that the legacy of this superb artist is not forgotten. Looking forward to seeing the results of all your hard work shortly. Regards, Tony.

  5. We bought our first signed/numbered Rausch at an auction in the mid 80s. We called it “The Flute Player.” Years later, we contacted Phylis who told us that was the actual name, and she had the companion piece, titled “The Piano Player.” So we purchased that. Both are vintage, from the 40s and hang proudly in our living room. When I commented that the style then reminded me of Picasso, she said that Georg had studied under him.

  6. It’s the day after Christmas, 2019. Are his paintings being sold somewhere

  7. I just finished reading “Unlikely Warrior” and was enthralled. What a remarkable life! The book realistically shows the amount of suffering in war. My father was also involved in WWII. He was a Marine in the Pacific. I wrote a book about him entitled “Pacific War Marine.” It is so important that we not forget what war is like and not repeat the mistakes of the past.
    Thank you.

    • Apologies for delayed response in “approving” your post, which slipped under the radar… Thanks for your observations.

  8. We purchased two numbered Rauch lithographs today from an estate sale in New Mexico. One, which I love, is titled “The Musician” at the bottom. Are you familiar with this piece and when that might’ve been produced?

    • That title doesn’t ring a bell. However, if you can send me a photo of it as an attachment to an email (info@sombrerobooks.com), I can find out and get back to you. Good find!!

  9. Would anyone be interested in purchasing a G Rauch painting I had bought back in the mid 1980’s from an estate sale? If so please email me at tom.patterson@gmail.com and I will send you a picture. Thanks!

    • It might help if you provided a few more details – subject matter? colors? size?. If you’d like to send me a photo of the painting, I can add it to the site and add a link to it from your request. Please email any photo to info@sombrerobooks.com Regards, TB.

  10. Hello , Wondering if one can assist …. Where would I send a photograph of a painting I have by George Rauch, it is a small painting about 12 x 14 of the cabin where he created many of his paintings I was told by my father who’s uncles ex wife was Rouch’s cousin .. ?? .. I may have that lineage wrong .. but it is apparently an early painting of his .. thank you for your time

    • Dear Chris, Thanks for contacting me regarding your early Rauch. While I’m not qualified to offer any definitive opinion as to authenticity or value, I’d love to see a photo of the painting in order to add it to his known/claimed works. Please send via this email. After seeing it, I’ll reply with any pertinent information that comes to mind after seeing its style and subject matter. Happy New Year! TB

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