Painter and batik artist Auguste Killat Foust (1915-2010), better known as Gustel Foust, had lived for twenty years in Mexico before moving to Ajijic, where she lived from 1978 to 1984. Previously she had resided fifteen years in Guadalajara (1963-78) and five years in San Miguel de Allende (1958-1963).
Auguste Killat Myckinn (her birthname) was born in Nemonin, East Prussia, on 15 February 1915 and died 05 October 2010. Even as a child, she was exceptionally talented at sketching and painting. At the age of 17, she entered the Königsberg Kunstakademie (Königsberg Academy of Arts), where she studied art and landscape, under Alfred Partikel (1888-1945) and Fritz Burmann (1892-1945). Foust continued her art studies at Dresden Art School and the University of Berlin Art School.
From about 1940 to 1947, she was married to the meticulous Dr. Wilhelm Graber, an economist of German heritage, who liked everything “just so”, in striking contrast to his wife’s preference to “go with the flow”.
In 1950, a few years after the end of the second world war, Gustel remarried. Viva E. Foust, her second husband, was serving in the U.S. Navy, and the couple settled initially in South Carolina, where Gustel became a naturalized U.S. citizen. Gustel had two children – Marlene and Sabina – from her first marriage and three more children – Barbara, Curtis and Karen – were born in the U.S.
From 1955 to 1958, the Fousts lived between Newport, Rhode Island and South Carolina, with Gustel exhibiting and teaching art in both places. She joined the Provincetown Art Association. In addition to group shows, several of which were in New York, she displayed her paintings in three solo shows and was represented by Sandpiper Gallery in Westport.
After her husband’s retirement from the Navy, in 1958 the couple decided to move to Mexico. While teaching art at the Art Institute in San Miguel de Allende, Gustel found renewed inspiration for her own art in the vivid colors and color contrasts found everywhere in Mexico and in Mexican popular art. Her work sold well at exhibitions in the Instituto Allende in San Miguel de Allende and attracted the attention of several Mexico City collectors who helped arrange for her to hold solo shows in the capital. These, too, proved very successful.
Five years later, the family moved to Guadalajara, where she continued to teach art and became a regular exhibitor in local galleries and further afield. For example, in 1964, she held a solo show of “batiks, portraits and watercolors” at the Castle Art gallery in Santa Cruz, California. Sadly, her husband passed away (in Guadalajara) that same year.
In September 1967, her work was in a group show of paintings at the Villa Montecarlo in Chapala. The following May, her “impressionist landscapes and portraits” were on show at the Tekare penthouse restaurant in Guadalajara. In October 1968 (when Mexico was hosting the Olympic Games), Foust had a show of original batiks at “Georg Originals”, a gallery in Guadalajara near the intersection of Avenida Chapultepec and Vallarta, and was simultaneously showing paintings and batiks at Villa del Lago hotel in Ajijic. Her next showing of paintings, at the Galeria Municipal de Arte y Cultura in Guadalajara was favorably reviewed in an illustrated half-page article by well-known local art critic J. Luis Meza-India.
She then had three oil paintings accepted into a major, juried group show of American Artists at the Instituto Cultural Mexicano Norteamericano de Jalisco in Guadalajara in June 1969, and won third place for figurative painting. The show featured 94 works by 42 U.S. artists from Guadalajara, the Lake Chapala area and San Miguel de Allende.
In 1972, part-way through her fifteen years living in Guadalajara, she spent some time in Houston, Texas. Her Houston studio was at 713 Snover, and she held a solo exhibit at the Hotel Fiesta in Houston from 19 to 23 May. The formal invitation for the exhibit featured two paintings: “La Playa en Puerto Vallarta” (Puerto Vallarta Beach) and “Escena del lago Chapala” (Lake Chapala Scene). According to the short artist biography published at the time, Foust had already held eight solo shows in Mexico, as well as one-person exhibits in Santa Cruz, California; Forth Worth, Texas; and New Braunsfels, Texas. (If anyone has details of these exhibits, please share!)
Foust remained extremely active for many years in the Guadalajara-Lake Chapala art scene. A quick newspaper search turned up several exhibits in 1974-1976, including a joint show with her daughter Sabina in the Hilton Hotel in Guadalajara (January 1974), paintings and batiks at El Tejabán restaurant-gallery in Ajijic (February 1975), joint show with Sabina of batiks and paintings at the Villa Montecarlo in Chapala (July 1975) and a group show of Lake Chapala Artists at the ex-Convento del Carmen, Guadalajara (October 1976). Other participants in this last-named show included Guillermo Gómez Vázquez; Conrado Contreras; Manuel Flores; John Frost; Dionisio; Bert Miller; Julia Michel; Antonio Cardenas; Antonio Lopez Vega; Georg Rauch; Gloria Marthai; and Jim Marthai.
In December 1976, Foust had work in a group show organized by Katie Goodridge Ingram for the Jalisco Department of Bellas Artes and Tourism, held at Plaza de la Hermandad (IMPI building) in Puerto Vallarta. The show ran from 4-21 December and also included works by Jean Caragonne; Conrado Contreras; Daniel de Simone; John Frost; Richard Frush; Hubert Harmon; Rocky Karns; Jim Marthai; Gail Michel; Bob Neathery; David Olaf; John K. Peterson; Georg Rauch; and Sylvia Salmi.
It is obvious that Foust was extremely familiar with the Lake Chapala area well before moving to live in Ajijic in 1978, and no surprise that soon after moving there, one of her street scenes of Ajijic (in the collection of local realtor Richard Tingen) was chosen for the annual, charity fundraising Amigos del Lago greeting card.
The last major show in Guadalajara that Foust is known to have participated in was a group show held at the ex-Convento del Carmen in January 1980. This also included works by Daphne Aluta, Evelyne Boren, Taffy Branham, Paul Fontaine, Richard Lapa, Stefan Lokos, Georg Rauch, Eleanor Smart, Betty Warren and Digur Weber.
In the late 1970s, early 1980s, Foust exhibited several times in Acapulco, at the city’s Biennales held in a major hotel on the main beach. These shows were fund-raisers to benefit the children of Acapulco. Among the organizers was Ann Goldfarb, a friend of Foust’s. Foust’s son, Curtis, attended one of these shows and recalls that his mother’s paintings quickly sold out, snapped up by visitors from the U.S., Canada and Europe.
In 1984, Foust returned to the U.S., living first in San Diego, California, then (from 2002) in West Virginia and finally (from June 2009) in Petaluma, California, where she passed away, at the age of 95, on 5 October 2010.
Even after her return to live in the U.S., Foust retained some close links to Lake Chapala. In 1992, for example, Judy Eager was able to persuade her to exhibit (with her daughter Barbara) a selection of batiks, oils and watercolors at La Nueva Posada hotel in Ajijic.
As these illustrations show, Gustel Foust was an extremely talented artist, whether of landscapes, portraits or batiks. She was also a prolific artist, painting almost every day of her life, in a wide variety of styles and using many different media. At different times, she signed her work Gustel K. Foust, Gustel Foust, G. Foust, and sometimes simply G.F. On some occasions, the cross stroke of the “T” in Foust would be omitted or unclear.
Foust’s art can be found in many museum and private collections around the world, including the Centro de Arte Moderno (Museo Miguel Aldana) in Guadalajara and the East Prussian State Museum in Germany.
Private collectors holding examples of Foust’s art include Luis Garcia Jasso, who owned the now-defunct Galería Vertice in Guadalajara, and many prominent families originally from East Prussia.
All four of Foust’s daughters became painters, while her only son, Curtis, maintains an informative website dedicated to his mother’s art.
Illustrations and acknowledgment
All illustrations are reproduced by kind permission of Curtis Foust; my sincere thanks to him for generously sharing details of his mother’s life and work. To see more of her paintings and batiks, please visit the Gustel Foust website.
- Guadalajara Reporter : 18 May 1968; 12 Oct 1968; 26 Jan 1974
- Gustel Foust (website) – http://www.gustelfoust.com
- Informador 29 September 1967; 17 Nov 1968; 23 July 1975; 25 October 1976; 26 January 1980
- J. Luis Meza-India. 1968. “Exposición de pintura: Gustel Foust.” Informador, 17 Nov 1968
- Ojo del Lago, January 1992
- Santa Cruz Sentinel (Santa Cruz, California) 8 March 1964,15 March 1964 (p 25)
Plea for help
If you are able to provide more specific details (dates, gallery names) of Gustel Foust’s art exhibitions, especially those in Mexico, Germany and the U.S. please email us or use the comments feature at the bottom of individual posts.
Tony Burton’s books include “Lake Chapala: A Postcard History” (2022), “Foreign Footprints in Ajijic” (2022), “If Walls Could Talk: Chapala’s historic buildings and their former occupants” (2020), (available in translation as “Si Las Paredes Hablaran”), “Mexican Kaleidoscope” (2016), and “Lake Chapala Through the Ages” (2008).