Julián Pulido Pedrosa was one of the group of talented artists who formed the Jovenes Pintores de Ajijic (Young Painters of Ajijic) in 1977.
Tragically, a decade later, Ajijic-born Pulido died on the highway between Tuxcueca and Tizapán el Alto in mysterious circumstances, while still a young man, not yet thirty years of age. He had already proved himself to be an outstanding artist, one of the first generation of local Ajijic artists to impress art critics with their extraordinary talents and creativity. Who knows how far Pulido might have taken his art had he only lived longer. Julián Pulido left behind his wife, Delma, and their three young children. In the wake of the tragedy, local and foreign artists organized an art sale (at the home of David Finn) as a benefit for his widow and children.
Like most other members of the Young Painters of Ajijic, Pulido first developed an interest in art during classes at the Children’s Art Program, organized by Neill James.
Pulido was one of several young students chosen by Neill James to receive a scholarship to further their art education either in San Miguel de Allende or Guadalajara. After studying at the Escuela de Artesanías in Ajijic, Pulido completed his formal art studies with five years at the Escuela de Artes Plásticos of the University of Guadalajara.
Pulido, who subsequently taught at the Escuela de Artesanías, worked in a variety of media and at a variety of scales, from small drawings and watercolors to large murals, including one at the Escuela de Artesanías in Ajijic and several others in public buildings in Guadalajara. [Does anyone have details to share?]
Studying alongside Pulido at the University of Guadalajara was another young local artist, Dionicio Morales. The two students held a joint exhibition of their watercolors, paintings and drawings at the Galería del Lago in Ajijic from 29 August to 11 September 1975. (The news was relayed to the English-speaking community in Joan Frost’s very first column for the weekly Guadalajara Reporter; Frost went on to become one of the paper’s most regular and dependable contributors.)
The following year, a new gallery, the “José Clemente Orozco Gallery” opened in March 1976 in Ajijic, with Dionicio Morales as director. In addition to Morales and Pulido, the gallery’s members—all exhibiting artists—were Jonathan Aparicio, Antonio Cárdenas, Antonio López Vega, Havano Tadeo, Henry Edwards, Sid Schwartzman and Frank Barton.
In 1977 the Guadalajara Reporter informed readers that Morales and Pulido had won the top two prizes in a Latin America-wide competition held to select artwork for the 1977 calendar of The International Federation of Family Planning. [If anyone has a copy of this calendar, please share!]
An exhibit which opened at the Instituto Anglo-Mexicana de Cultura in Guadalajara in October 1980 featured the works of Pulido and Morales alongside the work of a third Ajijic artist, Jesús Real.
Pulido held solo shows at the Centro de Artesanías de Ajijic (1980-81), the Presidencia Municipal de Yahualica (March 1981), and one entitled “Mi Pueblo” at Galería Universitaria in Guadalajara (November 1981). He also held a two-person show with Ernesto Flores G. at the Presidencia Municipal of Ciudad Guzmán (March-April 1981).
Work by Julian Pulido Pedrosa (c. 1958-1987) is deservedly included in the permanent collection of the Ajijic Museum of Art.
- Ojo del Lago, April 1985; June 1987.
- El Informador, 21 October 1980; 8 December 1980; 2 March 1981; 6 April 1981; 5 November 1981.
- Guadalajara Reporter, 30 Aug 1975; 13 March 1976, 21; 16 Apr 1977, 19: 2 May 1987, 24.
- Regina Potenza, personal communication.
Comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios are welcomed. Please use the comments feature at the bottom of individual posts, or email us.
Tony Burton’s books include “Lake Chapala: A Postcard History” (2022), “Foreign Footprints in Ajijic” (2022), “If Walls Could Talk: Chapala’s historic buildings and their former occupants” (2020), (available in translation as “Si Las Paredes Hablaran”), “Mexican Kaleidoscope” (2016), and “Lake Chapala Through the Ages” (2008).