American sculptor and art historian Mary Fuller (McChesney) and her husband Robert Pearson McChesney, also an artist, spent 1951-1952 in Mexico, living in Ajijic and San Miguel de Allende. Shortly afterwards, Mary Fuller wrote three detective novels, one of which was set in the Guadalajara art scene, using the pseudonym “Joe Rayter”.
She also wrote many short stories, poems, and articles, published in various prominent arts magazines including Art Digest, Artforum, Art in America, Craft Horizons, and American Craft. She was, at one time or another, a staff writer at Currant, a researcher for the Archives of American Art, a Ford Foundation Fellow and the recipient of the 1975 National Endowment for the Arts (NEA) Art Critic’s Grant. Another of her books, A Period of Exploration (Oakland Museum 1973), was written to accompany an exhibition of ab-ex (abstract expressionism) works from the San Francisco art scene from 1945-50.
These included The Victim Was Important (Charles Scribner’s Sons, 1954) and Asking for Trouble (M. S. Mill / William Morrow, 1955), both of which featured Private Investigator Johnny Powers, and Stab in the Dark (M. S. Mill / William Morrow, 1955), a murder mystery set in Guadalajara, Mexico.
Stab in the Dark is about murder, infidelity, and dope-peddling among a group of oddball expatriate artists in Guadalajara. The Kirkus Review of the book describes how “An excess of loose libido-tossing, alcohol, sex and art accompanies the death of Mike Cowper, about to become a cocaine pusher, in Guadalajara. The Mexican Inspector is not slow; young Madelene has to track down her husband and escape attack; Payne, a painter, and his wife get free of their little daughter’s death; and Madelene looses the marriage bonds for another heart interest. An AWFUL lot of running around.”
While Stab in the Dark is hardly a masterpiece, it is a fun read even today. The characters seem two-dimensional and their actions are somewhat predictable, but the book describes several expatriate artists working in Guadalajara at the time, and makes various mentions of the 1950s art scene in Guadalajara, including the “Galeria Moderna”, as well as the famed restaurant La Copa de Leche. The book also has a few scenes set in the coastal resort of “Puerto Ortega”.