Edythe Wallach (1909-2001) lived and painted for most of 1944 in Chapala and Ajijic. Her Lake Chapala paintings were exhibited in both Chapala and in New York. About a year after her return to the U.S. she married a fellow artist, Hari Kidd.
Edythe (Edith) Gertrude Wallach (later Wallach Kidd) was born in New Rochelle, New York, on 10 August 1909 to Dr. William Wallach and his wife Anne Rosenthal. Edythe grew up in New Rochelle which appears to have remained her home at least until the death of her father in 1937. The family, which was Jewish, was clearly well-to-do since the parents were able to spend summer in Europe (with one or both children) every few years, notably in 1926, 1929 and 1933.
It is unclear where Edythe acquired her education or art training, but in 1939 she was in the U.K. where she was listed in the minutes of a meeting of the British Federation of University Women (which provided aid to Jewish and other foreign refugees during and after World War II] as “Dr. Edith Wallach”. (This title probably refers to an academic doctorate rather than a medical degree).
She must have spent some of the war years in the U.K. before deciding to return home, a decision perhaps precipitated by the health of her mother who died in January 1944. Shortly after that, she left for Lake Chapala, where she lived first in Ajijic for several months and then in Chapala. Wallach was one of several artists mentioned by Neill James in her article “I live in Ajijic”, first published in 1945.
By November 1944, Wallach had completed enough paintings to warrant an exhibition at the Villa Montecarlo in Chapala. The local El Informador newspaper in Guadalajara described this as “one of the most brilliant artistic and social events of the Fall”, saying that guests from Ajijic, Guadalajara and Chapala responded warmly to the bright color and lively designs of the paintings which were being transferred later for exhibition in New York.
The opening on 12 November 1944 attracted many noteworthy guests, including Mr and Mrs Jack Bennett; Nigel Stansbury Millett and his father; Neill James; Pablo García Hernández (representative of Teatro Mexicano del Arte); Otto Butterlin and his daughter Rita; Witter Bynner, the famous American poet; Charles Stigel; Dr and Mrs Charles Halmos; Ann Medalie; and Herbert and Georgette Johnson.
Shortly after this exhibition closed, Wallach took her paintings back to New York. She then carried on to the U.K. for a short time, returning to the U.S. (from Swansea in Wales) via Canada at the end of February 1945. The ship’s passenger list says she was a teacher and had been living at 99, Woodstock Ave, Golders Green. It is possible that Wallach had been teaching in London during the war, before taking an extended leave of absence or sabbatical in 1944 in order to look after her mother and then paint in Chapala. Her quick return trip to London may have been to resign her position and collect her belongings, and there is a distinct possibility that she returned to Chapala to paint in the spring and summer of 1945.
Whatever the motives behind her movements, by fall 1945, Edythe (now described as “Dr. Edith Wallach of Goddard College”) was giving talks about “Wartime in England” to social groups in Burlington, Vermont. A contemporary account of one of these talks says that, “Dr. Wallach was in England during the war and recently came to the United States. She gave a very vivid description of the flying bombs, time bombs and the terror and destruction they caused; also about the children, their lack of food, rationing in England, etc. Dr Wallach answered many questions at the close of her talk.”
In November 1945 Wallach’s New York art show opened at the Bonestell Galleries at 18 East 37th Street. It was favorably reviewed as “Mexican in theme but not in manner” with one anonymous reviewer writing that
Miss Edythe Wallach… has just returned from a year’s travel in Mexico where she has been painting….
Walter Pach, eminent art critic, in speaking of Miss Wallach’s work, says, “Your report on Mexico is far beyond what I had hoped for when you went to that country. You have seen its light, you have seen its beauty, and your painting speaks of all these things. What impresses me in your work is that you have retained your central idiom, your own vision and, even when looking at a place so impressive (and so Mexican) as Chapala, you have not been tempted to imitate, but have told of your impressions with complete freedom to work in a way that is personal with yourself.” ”
While it remains unclear how, when or where Edythe first met Hari Kidd, their paths must surely have crossed in Chapala in 1944 since Edythe had a solo show at Villa Montecarlo in November while Hari was in a group exhibition there the following month. It is entirely possible that their romance began in Chapala under the soft moonlight reflecting off the serenely beautiful lake!
In March 1946, Edythe Wallach and Hari Kidd married in Key West, Florida. Kidd was already a well-known artist and one account of the wedding says that, “The bride, herself an artist of note, recently held her first exhibition of Mexican oils in New York, and is planning a new group of paintings for a forthcoming show.” A similar comment about a forthcoming show appears in The Miami News in September 1946 which says that Edith Wallach, wife of Hari Kidd, “fresh from a painting sojourn in Mexico” is “preparing for a second show in New York of her Mexican interpretations in oils.” I have been unable to confirm whether or not Wallach (presumably with Hari) returned to Mexico in the summer of 1946 (as this piece suggests) or, indeed, to find any further reference to this second U.S. show.
Both Edythe and Hari Kidd were in a three-person show at the Miami Beach Art Center which opened in January 1948. The third artist was Eugenie Schein of New York. Edythe exhibited oil paintings “favoring Mexican themes” while Hari showed both oils and watercolors. According to the press notice, “Both artists have spent a number of years in Mexico and Spain and their work reflects this influence.” They also participated, with Elvira Reilly, in another three-person show at the Martello Towers Gallery in Key West in January 1954.
The couple lived in Key West from about the time they married in 1946 to 1964. Due to Hari’s declining health, they then moved to Tucson in summer 1964, where he died in hospital barely four months later.
Edythe remained in Arizona for several years and attended the inauguration of a retrospective of her husband’s art at the El Paso Museum in October 1967.
In late 1968 or early 1969, she returned to live once again in Key West, Florida, where she held a show of her work at DePoo’s Island Gallery in 1969. Several years later, one of her paintings was chosen for the juried 13th Annual Major Florida Artists Show which opened in January 1976 at the Harmon Gallery in Naples, Florida. At that time, the artist was listed as “Edythe Wallach (Key West)” but Edythe later moved to Lake Worth, where she passed away on 17 December 2001.
If anyone can supply a photo of a painting by Edythe Wallach, please get in touch!
- The Burlington Free Press (Burlington, Vermont), 19 October 1945, pp 16, 20.
- El Paso Herald Post, Monday, 18 March 1946, p 6; 14 Oct 1967, Showtime, p14; 12 April 1969.
- El Informador (Guadalajara): 18 November 1944; 3 December 1944, p 11.
- Neill James. 1945. “I live in Ajijic”, in Modern Mexico, October 1945.
- The Miami News : 7 September 1946; 25 January 1948, p 59; 31 January 1954, p 24.
- The Naples Daily News (Naples, Florida), 11 January 1976, p 58.
- The New Yorker : 10 November 1945.
- Tucson Daily Citizen (Tucson, Arizona), 19 November 1964, p 7.
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