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May 132021
 

Hari (Harry) Matthew Kidd (1899-1964) was a painter, printmaker and writer associated with Philadelphia (Pennsylvania), El Paso (Texas) and Key West (Florida). Kidd was living in Chapala in the mid-1940s when he first met his future wife Edythe Wallach, then living in Ajijic. Kidd had his paintings in a group show at the Villa Montecarlo in Chapala in December 1944, a month after Wallach had held her own one-person show there.

Born in Detroit to an Englishman and his Canadian wife, Hari Kidd attended high school in El Paso before enlisting as a teenager in the Royal Canadian Air Force which later sent him to England to paint a portrait of General Hugh Montague Trenchard (later 1st Viscount Trenchard). Kidd returned from Europe in 1923 and studied art at the Pennsylvania Academy of the Fine Arts in Philadelphia. His first wife, Elizabeth, also an artist, was possibly a fellow student. The young couple left from Boston in May 1927 on an extended trip to Europe, returning to Philadelphia in early April of the following year.

In 1933, apparently on health grounds (Kidd had lifetime mobility issues), and seemingly without Elizabeth, he moved to El Paso. He soon acquired a reputation as a fine artist and mixed in an illustrious social circle that included sculptor Urbici Soler. He was also a good friend of the British conductor Leopold Stokowski, director of the Philadelphia Symphony Orchestra.

Hari Kidd. Men riding freight cars. undated.

Hari Kidd. Men riding freight cars. undated. Sold by Heritage Auctions, 2015.

Kidd’s work was in numerous local exhibits including a one-person show at the Crouse Galleries in El Paso in 1937. During his years in El Paso, Kidd gave art classes from his studio. Among his students was the El Paso artist Jake Erlich who stood 2.59 meters (8 feet 6 inches) tall and was widely believed at the time (even if inaccurately) to be the tallest man in the world.

Hari Kidd also turned his hand to writing, sending letters, columns and articles (often illustrated with charming drawings) to the El Paso Herald-Post. From El Paso, he made several trips into Mexico, including one to San José Purua in 1939 and another, in about 1942, further south into Oaxaca, spending close to a year in Tehuantepec and Ixtepec. These trips provided material for several illustrated articles for Mexico Magazine whose editor, Lloyd Buckingham, lived in El Paso.

The 1940 US Census lists Kidd as “divorced”, living on his own in El Paso. He had already had a painting included in the All Texas General Exhibit which opened in January 1940 at the Museum of Fine Arts in Houston. A year later, his first major solo show, of oil paintings at the Palace of Legion of Honor in San Francisco was warmly received by knowledgeable critics. Simultaneously he had a solo show of watercolors at Gump’s store in the same city.

That same year, further east, his work was chosen for the Texas-Oklahoma General Exhibition and he had a solo show (in October 1941) at the Witte Museum in San Antonio, where a reviewer commented (favorably) that Kidd was a “colossal egotist, sure of himself as a creative artist.”

Kidd’s social realism pictures frequently depicted Mexican people and topics, based on explorations along the Río Grande. According to several accounts, Kidd was sufficiently famous to have been visited in El Paso by Diego Rivera and Frieda Kahlo.

Harry Kidd. Date unknown. Untitled. Coll: University of the South, Sewanee, Tennessee

Harry Kidd. Date unknown. Untitled. Coll: University of the South, Sewanee, Tennessee

Back in El Paso in 1944, Kidd persuaded a local hospital for wounded Army soldiers to hang his paintings in their rooms as inspiration to speed their recuperation. He also held a show of painting at the Mexico Magazine Galleries in El Paso, which was operated by fellow artist (and Lloyd’s wife) Hilda Burlingham. That exhibition was then sent to the American Airlines office in New York City.

In late 1944, Kidd was back in Mexico and living at Lake Chapala. He is one of just three artists named in a short piece in the Guadalajara daily El Informador about the founding of a “Chapala Art Center” and its first exhibition, held at the Villa Montecarlo in Chapala from 10-17 December. (Edythe Wallach, his future wife, had held a solo exhibition at the same venue a month earlier). Betty Binkley of Santa Fe and English artist Muriel Lytton-Bernard are also named in the newspaper. The show also included works by the famous American surrealist Sylvia Fein, Ann Medalie, Otto Butterlin, Ernesto Linares (Lyn Butterlin), and Jaime López Bermúdez.

Hari Kidd was friends with Tennessee Williams and it may even have been Hari Kidd who first suggested that the great writer spend the summer of 1945 in Chapala.

Hari Kidd married Edythe Wallach in Key West, Florida, in March 1946. Later that year, the Miami News reported that Mr Kidd was preparing for a solo show at the Philadelphia Art Alliance in December. That show was followed by a second solo show, at the same venue, of Kidd’s “new and sensational” War Series of watercolors, which firmly established his reputation as an artist of note.

In September 1947, Kidd held another solo show of watercolors, at the Pittsburgh Water Color Society.

Hari Kidd. "Spring" (mother and child). Painted at Key-West; undated.

Hari Kidd. “Spring” (mother and child). Painted at Key West; undated. Sold by Butterscotch Auction Gallery, 2017.

Both Edythe and Hari Kidd were in a three-person show at the Miami Beach Art Center which opened in January 1948. The third artist was Eugenie Schein of New York. Edythe exhibited oil paintings “favoring Mexican themes” while Hari showed both oils and watercolors. According to the press notice, “Both artists have spent a number of years in Mexico and Spain and their work reflects this influence.” They also participated, with Elvira Reilly, in another three-person show at the Martello Towers Gallery in Key West in January 1954.

In 1964, due to her husband’s declining health, Edythe and Hari moved to Tucson, Arizona, where Hari Kidd-artist extraordinaire-died in hospital four months later.

A retrospective of Kidd’s art opened at the El Paso Museum in October 1967; his widow attended the opening. Individual works by Kidd have also appeared periodically in group shows, including two at the Harmon Gallery in Naples, Florida in 1975.

In 1990, Edythe Kidd donated 135 of her husband’s works (the largest known collection of his work, comprising oils, lithographs, water-colors, gauches and cancels) to  the University of the South, a private, coeducational liberal arts college in Sewanee, Tennessee. According to the university journal, “It is not known why the collection was donated to Sewanee, however it may have been on account of his friendship with Tennessee Williams, donor of ten million dollars to the University following his own death in 1985.”

A posthumous retrospective of his work was held in 2010 at the El Paso Museum of Art (EPMA). Examples of his work are in the permanent collections of the Whitney Museum of American Art, the Philadelphia Museum of Art, the Atlanta Art Museum and the Museum of Modern Art in New York.

Acknowledgment

My sincere thanks to Mary O’Neill, Visual Resources Librarian at The University of the South, for graciously providing me with copies of documents and images in the library archives.

Sources

  • Andrew Erlich and Cara Van Miriah. 2012. The Long Shadows (a fictional work about Jake Erlich; chapter 25 is entitled “Harry Kidd”). eBookIt.com.
  • El Paso Herald Post: 18 March 1946, p 6; 21 January 1937, p 8; 20 Jan 1944, p6; 4 Oct 1967, Showtime, p 14.
  • The Miami News: 8 Sep 1946, p 23: 25 Jan 1948, p 59.
  • Oakland Tribune: 19 Jan 1941, p B-7.
  • John and Deborah Powers. 1946. Texas Painters, Sculptors & Graphic Artists.
  • San Antonio Express: 5 Oct 1941.
  • San Antonio Light, 5 Oct 1941, Part Three, p 8,
  • The Sewanee Purple, 25 February 1991, p 2.

Comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios are welcomed. Please use the comments feature at the bottom of individual posts, or email us.

Apr 012021
 

Tink Strother (1919-2007) was, an acclaimed portrait painter who lived in Ajijic from 1961 to 1963. As Peggy Kelly wrote in her obituary of Strother for the Santa Paula News, Strother’s portraits reflect “not only the physical likeness of the subject but also their personality and soul.”

In Ajijic, Tink Strother met Colombian artist Carlos López Ruíz (1912-1972). They subsequently moved to California, where they opened a joint studio and gallery, first in Pico Rivera and then in Whittier.

The owner of this striking portrait contacted us in the hope that someone could identify the individual so deftly painted by Strother.

Tink Strother. c1962. Untitled portrait. Reproduced courtesy of Eliot Roberts

Tink Strother. c1962. Untitled portrait. Reproduced courtesy of Eliot Roberts

By an extraordinary coincidence, this painting is remarkably similar to the one immediately behind her in this image of the artist in her studio in 1962, previously published in our profile of her:

Tink Strother in her Ajijic studio, ca 1962

Tink Strother in her Ajijic studio, ca 1962

The two paintings appear to be portraits, from slightly different angles, of the same individual. Please get in touch if you recognize this individual who was the subject of such a superb portrait.

Comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios are welcome. Please use the comments feature at the bottom of individual posts, or email us.

Oct 172019
 

In the early 1950s, Ajijic was a center for art classes marketed primarily in the U.S. The classes and workshops attracted a wide diversity of painters of equally varied artistic backgrounds.

Several of the young students studying in Ajijic at that time went on to forge stellar careers in the art world. We looked at the extraordinary work of Barbara Zacheisz Elstob in a previous post.

In this post we focus on Jorge Fick. According to the biography of Fick submitted to askart.com by his widow, Judy Perlman, Fick attended a “Mexican Art school Ajijic, Guadalajara” in 1951.

Born George Fick in Detroit, Michigan, in 1932, Fick changed his first name to its Hispanic version—Jorge—following his time studying art in Ajijic in 1951 and in deference to Hispanic culture.

Prior to studying in Ajijic, Fick attended Cass Technical School, a public trade school in Detroit, between 1947 and 1950, and studied at the city’s Society of Arts and Crafts from 1950 to 1951.

It is unclear how he came to study in Ajijic but it certainly had a profound impact on his life as an artist.

After Ajijic, Fick studied from 1952 to 1955 at Black Mountain College, whose faculty, at one time or another, included such artistic luminaries as Josef Albers, Anni Albers, John Cage, Merce Cunningham, Buckminster Fuller and Aaron Siskind.

His decision to study at Black Mountain College immediately after Ajijic is especially interesting and may well have been prompted by one of his teachers in Mexico. The art workshops in Ajijic were led by local artist Ernesto Butterlin, ably assisted by “Nick” Muzenic. Alexander Nicolas Muzenic (1919-1976) had studied at Black Mountain College, under the legendary Josef Albers, from about 1945 to 1948 before moving to Ajijic. Albers and his wife, Anni, subsequently visited the village for a few days—to reconnect with their former student—and this may have coincided with Fick’s study visit. It is tempting to speculate that Muzenic, perhaps with help from Albers, persuaded Fick to attend Black Mountain College.

Jorge Fick. 1952. Where War Is. Credit: Eric Firestone Gallery

Jorge Fick. 1952. Where War Is. Credit: Eric Firestone Gallery

In 1953, Fick was staying in New York when he lent a suit to poet and author Dylan Thomas, who wore it three days before he died. The suit, later returned to Fick, is now proudly displayed in the Dylan Thomas Centre in Swansea, Wales.

Fick’s tutors at Black Mountain College were Franz Kline, Philip Guston, Jack Tworkov, Joseph Fiore, Esteban Vicente (collage) and Peter Voulkos (pottery). He thrived in the liberal artistic atmosphere of the college and graduated in 1955 with a Bachelor’s of Fine Arts degree. After graduating, Fick shared a studio in New York for some time with Kline, his college mentor. Kline had previously invited Fick to exhibit at the Stable Gallery and had encouraged him to explore abstract expressionism.

Jorge Fick. 1965. Zoroaster.

Jorge Fick. 1965. Zoroaster.

In 1958, Fick moved to Santa Fe, New Mexico. He spent the remainder of his life (he died in 2004) in New Mexico, dividing his time between Santa Fe and Taos. He made significant contributions to the art scene in New Mexico. In addition to developing his own painting techniques, including large-scale “Pod” oil paintings that combine abstraction, Pop art and cartoons, Fick also printed Eliot Porter’s environmental photographs (1962-1968), acted as a color consultant to architect-designer, Alexander Girard, responsible for the rebrand of Braniff Airlines, and collaborated with Cynthia Homire on glazed stoneware pieces.

Between 1969 and 1983, Fick ran “The Fickery” Gallery and Art Space at 720 Canyon Road in Santa Fe, New Mexico.

Fick’s paintings won numerous awards. His work featured in numerous solo and group shows including the Museum of New Mexico Biennial (1971, 1998); the International Folk Art Museum in Santa Fe (1971, 1972); Colorado Springs Fine Arts Museum (1972); Roswell Museum (1972); Taos Artist Association Annual (1994); St. John’s College, Santa Fe (solo show, 1994); Albuquerque Museum (1996).

Examples of Fick’s paintings can be seen in many important public collections, including the Whitney Museum of American Art, New York; Harwood Museum, Taos; New Mexico Museum of Art, Santa Fe; Phoenix Art Museum; Roswell Museum; Smith College Museum of Art, Northampton, Massachusetts.

[Note: Fick’s attendance at a “Mexican Art school Ajijic, Guadalajara” in 1951 may not be quite right. Gerald van de Wiele, who accompanied his good friend Fick to Mexico in 1951, told me that Fick had not previously been in Ajijic, that they arrived in late November or early December 1951, and that their trip did not involve any formal art classes. There are no records of any winter art classes in Ajijic at that time.]

Sources

Comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios are welcome. Please use the comments feature at the bottom of individual posts, or email us.

Oct 182017
 

Sombrero Books is pleased to announce that Jan Dunlap’s debut novel – Dilemma – is now available for Kindle readers at the very attractive price of US$2.90. The regular print version (real books are nice!) will be published early next month, well in time for those Christmas gifts!

In her exciting debut novel, Dilemma, Jan Dunlap weaves a page-turning tale of international romance, drugs and intrigue, loosely based on events and characters from her past.

The novel, set mainly at Lake Chapala in Mexico, takes us back to the 1970s. Natalie, a beautiful young DEA agent, is sent to investigate an alleged king-pin in the drugs world who lives in Ajijic. Her life soon becomes far more complicated than she bargained for.

Jan Dunlap, the author, was born and raised in small-town Texas and has a formal background in sociology.

She spent ten years in Puerto Rico – where she met Fidel Castro – and more than twenty years in Mexico, where she owned a restaurant-art gallery and bar. Completely bilingual, Jan has always loved to write and has completed several novels and screenplays.

The cover artwork is by Oliver Rivas, one of the author’s grandsons.

The Kindle edition of Dilemma can be purchased on all Amazon sites, including:

After reading the book, please consider leaving a review on Amazon, Goodreads or similar site.

The print version will be released in early November.

Enjoy!

Aug 172015
 

Dated 1981, these Georg Rauch designs for a children’s playground demonstrate the versatility of this amazing artist.

Georg Rauch: Playground designs, 1981

Georg Rauch: Playground designs, 1981. Click image to enlarge.

Georg’s widow, Phyllis Rauch, has kindly shared the following recollections related to Georg’s interest in playgrounds, and to these designs in particular:

“Georg designed a number of large playground pieces for a famous park in Vienna. When he arrived in the United States he was still fascinated by the topic and we visited playgrounds wherever we went – especially in New York.

When we moved to Mexico, Georg designed a very large and amazing playground for the town of El Molino, near Jocotepec. At the time there wasn’t even a church there, only a bell. The completed playground, utilizing all things that are freely available and could be replaced, was inaugurated by the then Governor of Jalisco’s first lady.

Sadly the only thing we didn’t take into consideration was upkeep, a fund for replacing tires, ropes etc., and over the years it basically disappeared. But I’m sure there are people in their late 40s and 50s who remember it well and enjoyed playing there.

Georg’s first and only stipulation was that a bathroom first be built and installed.

Sometimes when returning from Guadalajara, I think I can see it still there, among the many homes that have since been built.”

When Georg Rauch later learned that the Lakeside School for the Deaf (now the School for Special Children) in Jocotepec planned to build new play equipment, he gave the designs to Gwen Chan, the school’s director from 1985 to 1994. Some of Rauch’s designs were subsequently incorporated into the deaf school’s play equipment.

Related posts:

Jan 042014
 

Village In The Sun by Dane Chandos (reprint by Tlayacapan Press, 1998)

chandos-village-in-the-sunIn the early 1940s, an Englishman Dane Chandos (the pen name for a two-man writing team) decided to settle in a small village on Lake Chapala. This is a most welcome reprint of the much sought-after, highly entertaining account of his adventures during his first year in Mexico. As he builds his home, Chandos absorbs local customs while bonding with a colorful cast of characters. A delightful book!

Softcover, 259 pages. Dimensions (in inches): 8.3 x 5.45 x 0.6 Price: US$15.00 [plus shipping – contact us for details]

Written in the early 1940s, Village In The Sun is still considered to be one of the most endearing books written about Mexico to this day. Set in the area of Ajijic, Jalisco, it gives a delightful view of the Mexicans and their culture without criticism and judgment. The story is a most entertaining month-by-month account of an Englishman weathering his first year in Ajijic. It is written in a time when the road from Chapala to Jocotepec was a muddy trail and steam bed washouts were part of life during the rainy season. Ice was delivered by bus from Guadalajara, dropped off by the side of the road and left in the sun. In the process of building his house, the author gradually absorbs local customs while bonding with a colorful cast of characters.

Related books:

All three books “House in the Sun”, “Village in the Sun” and “Candelaria’s Cookbook” are delightful and essential reading for anyone who cares about the spirit of Mexico and its people. The sale of these books helps fund an educational program for young people living in the village of San Antonio Tlayacapan, where the books are set.

 Posted by at 12:26 pm
Jan 042014
 

House In The Sun by Dane Chandos (reprint by Tlayacapan Press, 1999)

chandos-house-in-sunThis is the classic account of how an expatriate Englishman Dane Chandos (the pen name for a two-man writing team) ran an hotel in a Lake Chapala village fifty years ago – “a magical place where anything can happen–and frequently does!”.

Softcover, 246 pages. Dimensions (in inches): 8.3 x 5.45 x 0.6. Price: US$15.00 [plus shipping – contact us for details]

“The house which he was building in Ajijic, on Lake Chapala, south of Guadalajara, is now nearing completion and, at the time of which he writes, is converted to a small inn taking a few paying guests. Here, Dane Chandos unfolds his day-to-day adventures as “Señor of the Inn,” an amateur hotelier who is at the mercy of both his loyal, unpredictable and often maddening servants, and of his equally unpredictable and maddening – though never boring – guests. All this is set forth with tender understanding and captivating wit against the background of the primitive little village which lies “between the lake and the paws of the mountains,” where anything can happen.” (review by Alan Cogan)

House In The Sun has more descriptive details about Mexico than the previous book by Dane Chandos – Village In The Sun  – as the author occasionally takes his guests on sightseeing trips including a pilgrimage to the Virgin of Zapopan, a canoa trip around the lake, and a drive to Uruapan to see the still-erupting volcano at Paricutin.

Related books:

All three books “House in the Sun”, “Village in the Sun” and “Candelaria’s Cookbook” are delightful and essential reading for anyone who cares about the spirit of Mexico and its people. The sale of these books helps fund an educational program for young people living in the village of San Antonio Tlayacapan, where the books are set.

 Posted by at 12:26 pm
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