Even my best efforts sometimes fail to turn up anything of note about certain artists that I know lived and worked at Lake Chapala.
Joe Vines is a case in point. Even though several artists I have interviewed in the past decade have mentioned him—and recall his work—I have managed to find out virtually nothing about this elusive artist who lived in the late 1960s in Jocotepec.
Joe Vines, mistakenly spelled as either Jo Vines or Joe Vine in some contemporary news reports, was a male artist who signed his work “Jovines.” He held a solo show in March 1968 at the “Galería Ajijic Bellas Artes,” administered by Hudson and Mary Rose, that was located at Marcos Castellanos #15 (at the intersection with Constitución) in Ajijic. Reviewing the show, Allyn Hunt described his work as “sparkling, colorful silkscreen prints.”
Vines’ work was also included in a “collective fine crafts show” at the same gallery in May 1968, alongside examples of work by Mary Rose, Hudson Rose, Peter Huf and his wife, Eunice Hunt, Ben Crabbe, Gail Michel, Joe Rowe and Beverly Hunt. On that occasion, Vines, who was described as “an excellent serigrapher” contributed “several unpretentious sculptures.”
According to Peter Huf, Vines exhibited only rarely. Muralist Tom Brudenell, who lived in Jocotepec at the time, recalled that Vines was an older artist and “a long-time painter in oils”, who used his sound technique to produce commercial ‘pot boilers,’ shown by Marilyn Hodge in the Galería 8 de Julio in Guadalajara.
Reviewing another Vines exhibit in July 1968, where the artist showed “arabesque style” paintings and silkscreens, including “Wailing Wall”, “Birds in a Bush” and “Jocotepec Dancers,” Allyn Hunt wrote that Vines had studied at Pratt, in Boston, and with west coast artists Sueo Serisawa and Rico Lebrun.
If you can add to this all-too-brief account of Joe Vines, supply any biographical details, or have examples of his work, please get in touch!
Guadalajara Reporter 27 April 1968; 25 May 1968; 13 July 1968
Comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios are welcome. Please use the comments feature at the bottom of individual posts, or email us.
John Russell Clift wrote, and illustrated with original serigraphs, “Chapala-Mexico’s Shangri-La”, published in Ford Times, the monthly magazine of the Ford Motor Company in October 1953. The article was published in Ford Times,. Volume 45 # 10 (October 1953) pp 34-39. The article, with illustrations, was reprinted on Mexconnect.com in its October 2003 edition, to mark the 50th anniversary of the original publication date.
John Russell Clift: Chapala Market (1953)
John Russell Clift: Lake Chapala (1953)
The full text of “Chapala-Mexico’s Shangri-la“, with accompanying illustrations, reprinted on Mexconnect.com by kind permission of Ford Motor Company.
John Russell Clift, American author and illustrator, was born in Taunton, Massachusetts in 1925 and at the peak of his career in the 1950s when he wrote this piece, one of the earliest to promote the attractions of the Chapala area as a retirement haven. His thoughtful prose and fine silkscreens paint a vivid picture of what life was like at Lakeside in the early 1950s.
After a stint in the U.S. Navy (1944-46), Clift studied at the School of the Museum of Fine Arts, Boston, and became an accomplished illustrator, painter, teacher, graphic artist, and successful commercial artist. Clift won his first fellowship at the Boston Museum School in 1952-53, which enabled him to spend six months painting in Chapala. He taught drawing and illustration at the institution for many years and was awarded a second fellowship in 1958-59.
John Russell Clift: Weaver’s House in Jocotepec (1953)
His commercial art career included spells working for Ford Motor Company, Alcan Aluminum Co. of Cleveland, the Lamp-Standard Oil Co. and the Bethlehem Steel Co. of Pennsylvania. In 1965, The Bridgeport Post lauded him as “an artist admired by the professionals for his technique in encaustic and by businessmen for his illustrations in business magazines.” (10 Oct 1965). Among Clift’s contributions to Ford Times, was “Riverside, Rhode Island”, a story illustrated by his paintings, in the July 1955 issue.
Clift held numerous exhibitions of his work in Bridgeport, Connecticut, in the 1955-1965 period. His work was also exhibited at print shows throughout the U.S., including the Museum of Modern Art and the DeCordova & Dana Museum in Lincoln, Massachusetts. He held a solo show in 1963 in the Mirski Gallery, Boston.
In 1967, Clift was a member of the three-person jury for The Boston Printmakers 19th Annual Print Exhibition, held at the Museum of Fine Arts, Boston, from 28 February to 2 April 1967. The exhibition featured more than 120 prints from the U.S. and Canada.
John Russell Clift passed away in Chelsea, Massachusetts, on 16 July 1999.
Note: This is an updated version of a post first published on 22 March 2012.
A screenprint entitled “Long Wharf” is in the collection of the US National Gallery of Art, Washington D.C..
A painting, oil on canvas, entitled “Couple in the Park” (1961) is in the collection of the Museum of Fine Arts, Boston.
A color lithograph entitled “Market at Chapala” was sold at auction in 2007.
John Russell Clift. 1953. “Chapala-Mexico’s Shangri-la”, Ford Times, Volume 45 # 10 (October 1953), 34-39.
Comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios are welcomed. Please use the comments feature at the bottom of individual posts, or email us.
Artist and photographer John Frost was born 21 May 1923 in Pasadena, California. John and his wife Joan Frost, an author, lived for more than forty years in Jocotepec, before returning to California in 2012.
John is the son of John and Priscilla (Morgrage) Frost and grandson of the famous American illustrator A. B. Frost. 
John became interested in photography and the magic of the darkroom at age 14. He attended Midland School, a small boarding school near Los Olivos, California. After military service in the Pacific during the second world war, Frost studied art at Occidental College under Kurt Baer (1946) and at Jepson Art Institute under Francis de Erdely and Rico Lebrun (1947-1949), gaining a degree in Graphic Art. In the mid-1950s, he settled into artistic and commercial photography.
John’s first solo exhibition, of mixed media pieces, in which drawings were photographed, enlarged and chemically treated to transform colors, was at Bobinart Gallery in Los Angeles in the early 1960s. This exhibition moved to Purdue University in 1966, shortly after Frost had relocated to Jocotepec with his wife. At Purdue, the opening of the exhibit was accompanied by a lecture about the “beat generation”. At the time, Purdue was embroiled in a bitter city versus university battle, on account of the Police Chief having ordered the university library to withdraw from circulation all books by Henry Miller, the American author then living in France.
John Frost (then 41 years old) married Joan Van Every (35) on 26 September 1964 in San Bernadino, California. In 1966, the couple relocated to Mexico, living for a short time in Uruapan in Michoacán before establishing their permanent home and photographic studio in Jocotepec.
In 1968, an exhibition of his silkscreens at La Galería in Guadalajara prior to the 1968 Olympics attracted the attention of TV broadcasters. Frost declined to give them permission to film his silkscreens since they asked him for $200 towards the production costs!
For several years, John Frost focused on his paintings and silkscreens. He worked closely, and shared his silkscreen techniques, with several other Jocotepec-based artists, including (Don) Shaw, Georg Rauch and Ra Rysiek Ledwon. Georg Rauch went on to experiment with his own silkscreen techniques using non-toxic materials, producing his own masterful silkscreens for many years. John also had a profound influence on the young painter Synnove Pettersen (1944-), who attributes her decision to return to doing silkscreen (serigraph) pieces at that stage in her career to his enthusiasm and encouragement.
Starting in 1979, John Frost became the premier aerial photographer in western Mexico, amassing an impressive collection of images (now housed in the University of Colima), especially of the Lake Chapala region, the volcanoes of Colima and the rapidly developing mid-Pacific coast of Colima and Jalisco, including the area around Manzanillo.
His aerial photographs have featured in several exhibitions, including four solo exhibitions in the state of Colima, three in the state capital and one on the university campus in Manzanillo. John Frost’s photos can be found in the collections of several Colima and Jalisco state agencies. A selection of his photographs graced the Guadalajara airport at the time of the 1986 World Cup, and his photos were exhibited in one of the lateral galleries of the Cabañas Cultural Institute in Guadalajara. This may have been the first time any Lakeside artist had ever been invited to exhibit in the Institute, arguably Jalisco’s single most important exhibition space. (Several years later, the Institute would invite fellow Jocotepec artist Georg Rauch to hold a retrospective of his work there, occupying the main galleries).
Once, when chatting with me, John Frost remarked that “I never quite met my family’s expectations”. If that is really true, then I can only conclude that his family’s expectations were utterly impossible to meet, since John’s superb photographs and silkscreens, as well as his quiet encouragement of many other artists and photographers, speak for themselves.
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 Arthur Burdett Frost (1851-1928) (ABF), was an early American illustrator, graphic artist, and comics writer. He was also well known as a painter. ABF’s work is well known for its dynamic representation of motion and sequence. ABF is considered one of the great illustrators in the “Golden Age of American Illustration”. ABF illustrated over 90 books, and produced hundreds of paintings; in addition to his work in illustrations, he is renowned for realistic hunting and shooting prints.
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