Tony Burton

Tony Burton's books include “Lake Chapala: A Postcard History” (2022), “Foreign Footprints in Ajijic” (2022), “If Walls Could Talk: Chapala’s historic buildings and their former occupants” (2020), (available in translation as “Si Las Paredes Hablaran"), "Mexican Kaleidoscope” (2016), and “Lake Chapala Through the Ages” (2008). Amazon Author Page                                          Facebook Page

Mar 222012
 

Artist and photographer John Frost was born 21 May 1923 in Pasadena, California, and died in California in May 2015. John and his wife Joan Frost, an author, lived for more than forty years in Jocotepec, before returning to California in 2012.

John is the son of John and Priscilla (Morgrage) Frost and grandson of the famous American illustrator A. B. Frost. [1]

John became interested in photography and the magic of the darkroom at age 14. He attended Midland School, a small boarding school near Los Olivos, California. After military service in the Pacific during the second world war, Frost studied art at Occidental College under Kurt Baer (1946) and at Jepson Art Institute under Francis de Erdely and Rico Lebrun (1947-1949), gaining  a degree in Graphic Art. In the mid-1950s, he settled into artistic and commercial photography.

John’s first solo exhibition, of mixed media pieces, in which drawings were photographed, enlarged and chemically treated to transform colors, was at Bobinart Gallery in Los Angeles in the early 1960s. This exhibition moved to Purdue University in 1966, shortly after Frost had relocated to Jocotepec with his wife. At Purdue, the opening of the exhibit was accompanied by a lecture about the “beat generation”. At the time, Purdue was embroiled in a bitter city versus university battle, on account of the Police Chief having ordered the university library to withdraw from circulation all books by Henry Miller, the American author then living in France.

John Frost (then 41 years old) married Joan Van Every (35) on 26 September 1964 in San Bernadino, California. In 1966, the couple relocated to Mexico, living for a short time in Uruapan in Michoacán before establishing their permanent home and photographic studio in Jocotepec.

In 1968, an exhibition of his silkscreens at La Galería in Guadalajara prior to the 1968 Olympics attracted the attention of TV broadcasters. Frost declined to give them permission to film his silkscreens since they asked him for $200 towards the production costs!

In May 1971, Frost was among the large group of artists exhibiting at “Fiesta de Arte” at a private home in Ajijic. Other artists showing there included Daphne Aluta; Mario Aluta; Beth Avary; Charles Blodgett; Antonio Cárdenas; Alan Davoll; Alice de Boton; Robert de Boton; Tom Faloon; Fernando García; Dorothy Goldner; Burt Hawley; Michael Heinichen; Peter Huf; Eunice (Hunt) Huf; Lona Isoard; John Maybra Kilpatrick; Gail Michael (Michel); Bert Miller; Robert Neathery; John K. Peterson; Stuart Phillips; Hudson Rose; Mary Rose; Jesús Santana; Walt Shou; Frances Showalter; ‘Sloane’; Eleanor Smart; Robert Snodgrass; and Agustín Velarde..

John Frost: Nude with flower

John Frost: Nude with flower

For several years, John Frost focused on his paintings and silkscreens. He worked closely, and shared his silkscreen techniques, with several other Jocotepec-based artists, including (Don) Shaw, Georg Rauch and Ra Rysiek Ledwon. Georg Rauch went on to experiment with his own silkscreen techniques using non-toxic materials, producing his own masterful silkscreens for many years. John also had a profound influence on the young painter Synnove Pettersen (1944-), who attributes her decision to return to doing silkscreen (serigraph) pieces at that stage in her career to his enthusiasm and encouragement.

In December 1976, Frost also had work in a group show organized by Katie Goodridge Ingram for the Jalisco Department of Bellas Artes and Tourism, held at Plaza de la Hermandad (IMPI building) in Puerto Vallarta. The show ran from 4-21 December and also included works by Jean Caragonne; Conrado Contreras; Daniel de Simone; Gustel Foust; Richard Frush; Hubert Harmon; Rocky Karns; Jim Marthai; Gail Michel; Bob Neathery; David Olaf; John K. Peterson; Georg Rauch; and Sylvia Salmi.

Starting in 1979, John Frost became the premier aerial photographer in western Mexico, amassing an impressive collection of images (now housed in the University of Colima), especially of the Lake Chapala region, the volcanoes of Colima and the rapidly developing mid-Pacific coast of Colima and Jalisco, including the area around Manzanillo.

His aerial photographs have featured in several exhibitions, including four solo exhibitions in the state of Colima, three in the state capital and one on the university campus in Manzanillo. John Frost’s photos can be found in the collections of several Colima and Jalisco state agencies. A selection of his photographs graced the Guadalajara airport at the time of the 1986 World Cup, and his photos were exhibited in one of the lateral galleries of the Cabañas Cultural Institute in Guadalajara. This may have been the first time any Lakeside artist had ever been invited to exhibit in the Institute, arguably Jalisco’s single most important exhibition space. (Several years later, the Institute would invite fellow Jocotepec artist Georg Rauch to hold a retrospective of his work there, occupying the main galleries).

Once, when chatting with me, John Frost remarked that “I never quite met my family’s expectations”. If that is really true, then I can only conclude that his family’s expectations were utterly impossible to meet, since John’s superb photographs and silkscreens, as well as his quiet encouragement of many other artists and photographers, speak for themselves.

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[1] Arthur Burdett Frost (1851-1928) (ABF), was an early American illustrator, graphic artist, and comics writer. He was also well known as a painter. ABF’s work is well known for its dynamic representation of motion and sequence. ABF is considered one of the great illustrators in the “Golden Age of American Illustration”. ABF illustrated over 90 books, and produced hundreds of paintings; in addition to his work in illustrations, he is renowned for realistic hunting and shooting prints.

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Jan 312010
 

It is impossible to do justice in these few lines to the brilliance of Friedrich Heinrich Alexander von Humboldt, aptly described by Charles Darwin as “the greatest scientific traveler who ever lived”. He was born in Berlin, Prussia, in 1769 to a very well-connected family.

He studied political economy before turning to science at the University of Göttingen in 1789. One of his friends there, George Forster, had been scientific illustrator on Captain James Cook’s second voyage. This friendship undoubtedly reinforced Humboldt’s determination to undertake his own long distance travels. Humboldt systematically prepared himself for a life as a scientific explorer, first studying commerce and foreign languages at Hamburg, then geology and mining at Freiberg, followed by anatomy at Jena, as well as astronomy and the use of scientific instruments.

Humboldt spent five years in the New World, from 1799 to 1804. His visit to Mexico began in Acapulco on March 22, 1803, and lasted until he set sail from Veracruz for the United States on March 7, 1804. In the intervening months, Humboldt measured, recorded, observed and wrote about anything and everything, with remarkable industry and accuracy. He climbed mountains, burned his boots on active volcanoes, descended into mines, recorded geographical coordinates, and collected specimens and antiquities. He also drew a large number of maps, drawings and sketches. Humboldt’s Political essay on the kingdom of New Spain was the first systematic scientific description of the New World. It appeared in 1811, and marked the birth of modern geography in Mexico. His figures and ideas were used and quoted by writers for many many years.

On his return to Europe, he spent more than twenty years, mainly in Paris, writing and publishing his results. The crowning glory of Humboldt’s career was his five-volume Cosmos. Begun at age 76, it turned out to be a masterpiece, proposing conceptual generalizations, supported by the observations of the physical world he had made decades earlier.

Humboldt’s work was the foundation for the subsequent development of physical geography and meteorology. Developing the concept of isotherms allowed climatic comparisons to be made. He recognized that altitudinal differences in climate echoed latitudinal differences. His essay on the geography of plants related the distribution of plant forms to varying physical conditions. Finding that volcanoes fell naturally into linear groups, Humboldt argued that these presumably corresponded with vast subterranean fissures. In addition, he demonstrated the igneous origin of volcanic rocks for the first time.

Humboldt’s work awakened considerable European interest in the Americas and caused many later artists to travel to Mexico to draw and paint.

Humboldt died, at the age of 89, on May 6, 1859. His travels, experiments, and knowledge had transformed western science in the 19th century. Humanist, naturalist, botanist, geographer, geologist: Humboldt was all of these, and more.

Lake Chapala Artists & Authors is reader-supported. Purchases made via links on our site may, at no cost to you, earn us an affiliate commission. Learn more.

A brief excerpt from Humboldt’s “Political Essay on the Kingdom of New Spain” is included in Tony Burton’s “Lake Chapala Through the Ages, an anthology of travelers’ tales” (Sombrero Books 2008).  This book has excerpts from more than 50 original sources covering the period 1530–1910, together with short biographies of the writers, and an informative commentary setting the extracts in their historical context.

Jan 032010
 

Charles Fleming Embree was born in Princeton, Indiana, October 1, 1874, the son of lawyer David Franklin Embree, member of a prominent pioneer family, and Mary Fleming Embree. Charles was still an infant when his father died in 1877. To this day, one of the main streets in Princeton is N. Embree Street, and the Fire Department Chief at the fire hall (on Embree and W. Brumfield) has the surname Embree.

embree-portrait-2Charles Embree was educated in Princeton public schools and entered Wabash College in the fall of 1892. After three years he left college without graduating to devote himself to writing, and achieved immediate success. For the Love of Tonita, and other tales of the Mesas was his first book, published in 1897. The success of his first book led to two more novels.

On January 18, 1898, he married Virginia Broadwell. The young couple moved to Mexico, and lived in Chapala for eight months in 1898, before moving to Oaxaca. The precise motives behind Embree’s decision to spend two years in Mexico remain frustratingly unclear.

Embree’s second book, dedicated to his wife, is set in the Lake Chapala region, but was written while they were in Oaxaca. A Dream of a Throne, the Story of a Mexican Revolt (1900), is illustrated with five black and white drawings by Henry Sandham (1842-1910), a very well-known Canadian illustrator of the time. From Oaxaca, Embree also penned a short newspaper piece about anthropologist Frederick Starr, who was conducting fieldwork there.

Embree’s third book, illustrated by Dan Smith, was A Heart of Flame: the Story of a Master Passion (1901). Embree also had several short stories published in McClure’s Magazine, from 1902 to (posthumously) 1906. In recognition of the distinguished place he had already achieved among American novelists, Embree was awarded an honorary Master of Arts degree by Wabash College in 1903.

Embree and his wife moved to Santa Ana, California. Sadly, the couple had not long celebrated the birth of their only daughter Elinor in 1905 when Embree was taken seriously ill. He died on July 3, not yet 31 years old.

Lake Chapala Artists & Authors is reader-supported. Purchases made via links on our site may, at no cost to you, earn us an affiliate commission. Learn more.

A short extract from Embree’s A Dream of a Throne is included in my “Lake Chapala Through the Ages, an anthology of travellers’ tales” (Sombrero Books 2008). This book has extracts from more than 50 original sources covering the period 1530-1910, together with short biographies of the writers, and an informative commentary setting the extracts in their historical context.

Other twentieth century novels set largely, or entirely, at Lake Chapala include:

Comments, corrections or additional material related to any of the writers and artists featured in our series of mini-bios are welcome. Please use the comments feature at the bottom of individual posts, or email us.